Color Grading

VDS Announces Turnkey 4K and 2K Scratch DI Systems

Tue, 11/26/2013 - 14:56 -- Nick Dager

Versatile Distribution Services today announced exclusive 4K and 2K turnkey workstations that feature Assimilate’s Scratch digital intermediate software running on HP Z820 workstations in North America and Latin America. The Scratch systems enable digital cinema and broadcast artists to generate dailies, conform, color-correct, and complete the finishing of features, documentaries, videos, and episodic TV within a real-time, integrated, user-friendly workflow.

Mistika Helps Antonio Banderas's Kandor Graphics make first 3D Feature

Mon, 11/18/2013 - 13:30 -- Nick Dager

Justin and the Knights of Valour tells the story of a young boy who becomes a man as he embarks on a quest to become a knight. Directed and written by Kandor Graphics' chief creative officer, Manuel Sicilia, the animated adventure fantasy film boasts a famous cast of European voices including Freddie Highmore, Charles Dance, Rupert Everett, Barry Humphries, David Walliams, Julie Walters and Saoirse Ronan. Antonio Banderas, who is a Kandor Graphics partner, is also the voice of character Sir Clorex, as well as producer of the film along with Marcelino Almansa, Kerry Fulton and Ralph Kamp.

Filmworkers Helps Aaron Rodgers Find a Seat in “Grill Class”

Thu, 10/24/2013 - 14:51 -- Nick Dager

Filmworkers provided post-production services with a distinctive Windy City accent for the latest spot from State Farm. Conceived by Chicago agency DDB, the spot features State Farm spokesman Aaron Rodgers, who finds himself wedged uncomfortably between a pair of Bears fans during an airline flight.

Technicolor-PostWorks New York Posts Five Films Screening at Toronto Film Festival

Thu, 09/26/2013 - 14:53 -- Nick Dager

Technicolor-PostWorks New York provided post-production services to five films that screened at this month’s Toronto International Film Festival. They included three narrative films, John Turturro’s Fading Gigolo, David Frankel’s One Chance, and Ned Benson’s The Disappearance of Eleanor Rigby: Him and Her, as well as Alex Gibney’s documentary The Armstrong Lie, and The Weinstein Company’s concert film 12.12.12: The Concert for Sandy Relief.

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