The Forge is an American drama film directed by Alex Kendrick and co-written by Stephen Kendrick. It is a spin-off to War Room (2015) and tells the inspiring story of a young man's journey for purpose through faith and discipleship. The film was shot in Albany, Georgia, by cinematographer Bob Scott and the color was completed by colorist Keith Roush in Atlanta, at Roush Media.
Arsenal FX Color knows that the best way to keep pace with the rapidly changing media and entertainment industry is by having the right technology. That’s why the high-end, boutique postproduction house in Los Angeles recently upgraded to Sony’s BVM-HX3110 Trimaster HX Professional Grading Monitor. The new 4K monitor helps handle the company’s diverse workload of increasingly complex media projects and satisfies constantly evolving client demands for high-quality content.
FilmLight has finalized the jury for the 2024 FilmLight Color Awards and announced Australian film director, screenwriter and producer, George Miller, as guest of honor, and award-winning Australian cinematographer, Mandy Walker, as 2024 jury president.
FilmLight today announced the first set of high-profile creatives lined up to judge the 2024 FilmLight Color Awards, including cinematographers Mandy Walker, Robert Richardson and Erik Messerschmidt. The awards are presented annually at the international film festival EnergaCamerImage in November.
Company 3 has opened a Dolby Vision and Dolby Atmos equipped theatre at its facilities in New York. It is the first theatre of its kind at any post-production company on the East Coast. The theatre will enable Company 3's clients to experience their work in an acoustic environment as robust as that of any cinema in the world.
Nestled in the heart of Los Angeles, Culver Post is a recent addition to Amazon’s portfolio of production and entertainment businesses. In partnership with industry pioneers 424 Post and Harbor, Samsung provided Culver Post with a 34-foot, 8K IWA LED screen and Digital Cinema Initiative-certified 4K Samsung Onyx LED screen to create a true cinema-style environment for theatrical color grading and immersive sound mixing.
The first feature film from writer-director Shaun Seneviratne, Ben and Suzanne: A Reunion in 4 Parts depicts the struggle between love and duty as Ben (Sathya Sridharan) steps out on a limb to rekindle his relationship with Suzanne (Anastasia Olowin), who can’t escape the calls of her work. Seeking to make a film that felt grittier than the manicured qualities typically associated with romantic comedies, Seneviratne decided to employ non-actors in every role except the leads. Complementing the decisions Seneviratne made in prep and on set with cinematographer Molly Scotti, Light Iron colorist Keith Jenson helped fine-tune the visual language in the final color grade, which took place at Light Iron New York ahead of the movie’s world premiere at the 2024 SXSW Film Festival. Here, Seneviratne and Jenson share their perspectives on their memorable collaboration.
The FilmLight Color Awards return for the fourth year in 2024 with an additional new category dedicated to rising talent. The awards, which will once again be presented at EnergaCamerImage in November, are independently judged by a panel of prominent creatives, cinematographers, and colorists.
Montreal’s Rodeo FX, known for providing high-end visual effects, post-production, animation, and other creative services, has expanded its offering into color grading by opening a new Baselight grading suite led by new senior colorist, Ana Escorse.
Creative editorial, color and finishing studio The Saw has added award-winning senior colorist Scott Klein. Known for his work on Outer Banks, Empire, Unsolved Mysteries and Bosch, Klein will continue to tackle episodic and long-form narrative assignments, while expanding into unscripted content including awards shows, reality TV and music specials, genres where The Saw has roots. Upcoming projects include season two of Outer Ban
