The Colorist Society International is joining the Independent Colourist Guild as partner and co-organizer of the newly launched Colorist Awards. The first-ever international competition focused exclusively on the craft of color, the event recognizes outstanding work by colorists across feature films, television, documentaries, commercials, music videos and shorts. Entries are being accepted now through December 31 for work first appearing in 2020. Winners will be announced in March.
In the early aughts, in a small Iowa town, Alice — a student at the local Catholic high school — enjoys watching Titanic and testing her knowledge of movie titles with word scrambles played in online chat rooms. When one of her internet encounters takes an unexpected turn, she suddenly discovers there’s pleasure to be had in pleasuring oneself. Not long after, she attends a four-day Catholic retreat, where she struggles to reconcile her nascent urges with the prospect of eternal judgment
OwnZones Entertainment Technologies has released three new features to its OwnZones Connect platform to support customers and optimize user experience. The new features, which include: Deep Analysis, Task Management, and Search Service, help Connect users efficiently organize, manage, and deliver content as well as collaborate better via the cloud while working remotely.
With normal production not an option during the pandemic, at the request of advertising agency The Marketing Arm, the Chicago creative company The Colonie remotely edited, color graded and finished a live-action commercial for State Farm insurance. Its team rallied, pulling volumes of stock shots, user generated content in conjunction with Catch & Release and even augmented footage by filming their own families at home in scenarios that have become the new norm.
When Los Angeles-based cinematographer Quyen Tran was selected to shoot the new film Palm Springs she knew she had a short production schedule, which made her pre-production planning even more critical than usual.
Cédric Lejeune is vice president of technology for ÉclairColor, part of the Ymagis Group. He is also the founder of Workflowers, a recently formed consulting company that offers training services to media companies including quality management, color management, human resources and environmental topics. I wanted to learn about his new dual role and, in particular, hear his thoughts on how the motion picture industry can be more environmentally responsible.
Inspired by Michael Connelly’s Harry Bosch novels, the Amazon Prime Video police-procedural series Bosch premiered its sixth season on April 17. The show has also been renewed for a seventh and final season, offering one last outing for the eponymous LAPD homicide detective. Cinematographer Patrick Cady, ASC has been behind the camera for roughly half of the show’s 60 episodes to date, going back to Season 1. From the beginning, Cady and his collaborators have sought to create a sense of realism grounded in the show’s Los Angeles locations.
When he was asked to work on the hit thriller Aadai, India based digital cinema designer and colorist G. Balaji understood the importance of the color grade for the movie’s overall success. With the film, Balaji said he wanted to break the stereotype of how India is shown.
Light Illusion, a specialist in critical color management within the film, post-production, and broadcast industries, has launched ColorSpace CMS, currently available for pre-order, which enables participation in the open beta program to provide feedback and input for the final release.
Sometimes the story of how a film was made is almost as compelling as the story the film itself tells. That was certainly the case with There is No Evil, this year’s Golden Bear winner at the 70th annual Berlinale, the 2020 Berlin Film Festival. The film, from Iranian director Mohammed Rasoulof, faced serious and unique challenges getting onto the big screen at a film festival. First, there was the fact that Rasoulof is unable to leave Iran.