For Gisle Tveito, a 26-year veteran, supervising sound editor, dubbing mixer, and one of the owners of Storyline, getting the sound design process to run closer to parallel with the video editing process has always been a goal. While many sound departments wait for picture-lock before starting to work on the sound, the team at Storyline is breaking the mold of the traditional serial workflow by closely aligning audio with video editors from the first cut.
Wonder Woman's audience evolved in a similar manner as most blockbusters but with some trends notably magnified, according to an audience evolution report released by Movio. While the female and fifty and older segments of the audience generally grow over the course of a blockbuster’s run, Wonder Woman’s female audience nearly reached parity with the male audience by the third week.
Morgan Stanley analyst Benjamin Swinburne issued a report this week in which he argues that the big studios should get serious about premium on-demand video and suggests that Hollywood release feature films to the home while they’re still showing in movie theatres.
Oscar-winning animation studio Laika, creators of Coraline, ParaNorman, The Boxtrolls and Kubo and the Two Strings, brings its pop-up exhibit The Laika Experience to the heart of San Diego’s Gaslamp Quarter July 14-23.
Coming off the heels of a successful inaugural Anime Movie Night screening event this spring, Crunchyroll, which calls itself the destination for anime and manga, working with Screenvision Media and Kaos Connect, will screen the first three episodes of The Ancient Magus’ Bride, a series adapted from the wildly popular manga of the same name.
Anne with an E, a Netflix series, is a filmed adaptation of the classic coming-of-age 1908 novel, Anne of Green Gables, by Canadian author Lucy Maud Montgomery. The series was shot by cinematographer Bobby Shore, CSC with Panasonic VariCam 35 cinema cameras. As a teenager growing up in Canada, Shore was a huge fan of director Darren Aronofsky (Black Swan, Requiem for a Dream) and his cinematographer, Matthew Libatique, ASC. While studying film at Concordia University in Montreal, he worked as an extra on the set of Abandon (2002), a feature film shot by Libatique. “When I would read about movies he [Libatique] was working on, it always seemed like his work came from an emotionally driven place,” reveals Shore. “It was easy for me to latch on to his ideas.”
Shared storage and media management systems company EditShare will expand its UK operations with a brand new office opening in London’s Soho district in July. The central London location features full demonstration capabilities of Ultra HD workflows. The facility will also offer professional and business development services, providing the local creative community a place to gain hands-on experience along with expert guidance for building next-generation editorial and VFX workflows.
Metropolitan Theatres has signed Vision Media to oversee installation and on-going management of circuit-wide digital signage and media systems. “Our partnership with Vision Media will further our efforts to enhance the movie-going experience. The investment in digital signage enables highly impactful communication that is flexible to best serve our customers,” said David Corwin, president of Metropolitan Theatres.
CinemaNext today announced a new technology licensing agreement with US-based Adaptive Technologies Group for its PS Box boothless cinema system. Under this exclusive agreement, Adaptive will manufacture the PS Box at their factory in southern Los Angeles and sell it in select territories including the USA, Canada, Mexico, Latin America and Australia & New Zealand.
Released this month by IFC Films, Band Aid marks the directorial debut of Zoe Lister-Jones, best known for her acting roles on Life in Pieces and New Girl. The film has been earning rave reviews for its engaging story of a couple who turn to songwriting to work out their marital difficulties. It has also generated lots of buzz for Lister-Jones’s unique decision to employ women in all key production and post-production crew positions.