Metropolitan Theatres has signed Vision Media to oversee installation and on-going management of circuit-wide digital signage and media systems. “Our partnership with Vision Media will further our efforts to enhance the movie-going experience. The investment in digital signage enables highly impactful communication that is flexible to best serve our customers,” said David Corwin, president of Metropolitan Theatres.
CinemaNext today announced a new technology licensing agreement with US-based Adaptive Technologies Group for its PS Box boothless cinema system. Under this exclusive agreement, Adaptive will manufacture the PS Box at their factory in southern Los Angeles and sell it in select territories including the USA, Canada, Mexico, Latin America and Australia & New Zealand.
Released this month by IFC Films, Band Aid marks the directorial debut of Zoe Lister-Jones, best known for her acting roles on Life in Pieces and New Girl. The film has been earning rave reviews for its engaging story of a couple who turn to songwriting to work out their marital difficulties. It has also generated lots of buzz for Lister-Jones’s unique decision to employ women in all key production and post-production crew positions.
Starz's original series American Gods adapts author Neil Gaiman's novel into a feast of visceral imagery. Developed by Bryan Fuller and Michael Green, and produced by FremantleMedia North America, the ambitious project features extensive visual effects, which were facilitated via The Portal, Deluxe’s cloud-based proprietary service.
A young reporter and his niece discover a beautiful and enchanting creature they believe to be a real mermaid, in the 1930s period tale The Little Mermaid, a live-action film inspired by the classic Hans Christian Andersen fairy tale and co-directed by Chris Bouchard and Blake Harris. Book-ended in the present day, The Little Mermaid gave cinematographer Neil Oseman the opportunity to use Cooke S4/i lenses to their fullest, capturing the look he loves from the fantasy/adventure films of the 1980s and1990s for The Little Mermaid’s 1930s look.
Christie is the exclusive digital projection partner for the Shanghai International Film Festival for the ninth consecutive year. The event, which is taking place from June 17-26, is China’s only non-specialized competitive international film festival accredited by the Paris-based Fédération Internationale des Associations de Producteurs de Films. Currently in its 20th year, the star-studded festival kicked off in style with the screening of Danish Academy Award-winning film and television director Bille August’s latest film The Chinese Widow starring Emile Hirsch and Crystal Liu, while Chinese director Zheng Chang’s crime action film Detonator will close the event.
Dolby Laboratories today announced that Warner Bros. Pictures’ Horse Soldiers is the 100th Dolby Cinema title. "Reaching the 100th announced title for Dolby Cinema is a tremendous accomplishment that couldn’t have been achieved without the support from the directors and filmmakers who want to use the best technology for their storytelling,” said Doug Darrow, senior vice president, cinema business group, Dolby Laboratories. “In 2017 we announced 44 Dolby Cinema titles, more than any other premium format, which is a testament to the ongoing commitment from Hollywood and studios around the world to deliver the best experience to the cinema.”
CJ4DPlex has announced that Cars 3 will be the first Disney•Pixar film to be released in the 4DX immersive format.
Typically, torn frames appear when a flash or strobe is not properly timed with a camera’s shutter and frame rate. They appear as a flash in the bottom half of one frame followed by a flash in the top half of the next frame. An innovative light source helped Ghost in the Shell cinematographer Jess Hall, BSC avoid the problem and bring a new level of visual sophistication to director Rupert Sanders’ epic feature.
For Nissan’s Return of the Snowman spot, visual effects specialists The Embassy in Vancouver banded together with post house Alter Ego in Toronto. The Embassy is well known for its photo-realistic, hard surface VFX work, from creating the digital Iron Man suits for all three films to building massive drop ship hangers for The Hunger Games trilogy. Having worked on countless commercials with Alter Ego, The Embassy made the decision to become part of the creative process for grading, to improve the efficiency and precision of their VFX work and present a consistent preview to their clients.