THX today announced that the world’s first THX Ultimate Cinema at Regency Westwood Village Theatre is scheduled to open later this year. THX company is working closely with Cinionic on the project.
The next in the series of acclaimed FilmLight Color Day master classes will be held April 8 during the National Association of Broadcasters convention. Presented by industry leaders in creative grading, this intensive day will introduce colorists, DPs and the wider production and post industry to the opportunities and challenges of modern color finishing and delivery.
Two visual effects-heavy commercial spots for Disney highlighting the latest Star Wars toys and merchandise benefited from play to the firing of children’s imagination: Choose Your Path focuses on The Last Jedi merchandise, featuring three children playing in an attic bedroom; a boy puts down a Kylo Ren toy, which then comes to life to fight Lego starships, while two of the children duck as a ship speeds past them on the red salt flats of Crait – which then seamlessly turn back into the bedroom with a classic Star Wars wipe. Galaxy Of Adventures features the original Star Wars trilogy and Solo: A Star Wars Story, with more children playing in an attic room, interacting with the toys and merchandise in a series of tableaux reminiscent of scenes from the films.
After more than a century, the highly acclaimed 1915 silent thriller Filibus has been fully restored and will be screened at the Eye Filmmuseum in Amsterdam, which is hosting the 10th Women and the Silent Screen Conference this May 25–29. Not only has the museum done a loving restoration of the film but, in the process, they also answered a question that surrounded the movie and added to its success: what was the name of the actress who played Filibus?
Last July the Event Cinema Association announced that Grainne Peat would be its new managing director, replacing founder Melissa Cogavin who left to pursue other opportunities. Cogavin, who established the ECA in 2012 left behind an internationally recognized brand and the primary trade body for the alternative content sector. By all accounts, she left the ECA in good hands. Since taking the reins officially last October, Peat has quietly put her own stamp on things.
In a week or so, industry professionals from around the world will gather at Caesar’s Palace in Las Vegas for this year’s CinemaCon, the annual convention of the National Association of Theatre Owners. There, from April 1-4, they will discuss the latest issues, trends and technologies in motion picture distribution and exhibition. For many of them, new technology will be the focus of their attention. This year’s technology conversations seem certain to include three acronyms in particular: HFR, LED and HDR. Chances are, technology centered on one of these will earn a Catalyst Award. But there are always surprises at CinemaCon.
Park Circus, in collaboration with Sony Pictures Entertainment, is re-releasing Stanley Kubrick’s 1964 masterpiece Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb. Restored in 4K, the film will open in UK cinemas May 17 and include an extended run at the BFI Southbank as part of a special Kubrick season.
ABKCO Films in collaboration with Screenvision Media will present screenings of the iconic 1968 concert film The Rolling Stones Rock and Roll Circus in select theatres April 1, 3, 4, and 5. Among the cities included are New York, Los Angeles, Chicago, and Dallas.
Classic film presentations that give audiences the rare opportunity to see cinematic favorites commercial-free on the big screen have generated $5.53 million since the beginning of the year, Fathom Events announced today. The results were led by the 80th anniversary of Gone with the Wind, which grossed $2.23 million in just six nationwide screenings across four dates, setting a record as the highest-grossing classic film for Fathom Events and the event cinema industry. The previous record was set in January by Fathom and another Warner Bros. milestone from 1939, The Wizard of Oz.
Cinematographer Xavier Dolléans chose a Sony Venice camera paired with Cooke Panchro/i Classic lenses to shoot Seasons 3 and 4 of Skam France, the French version of the acclaimed and innovative Norwegian youth series Skam, that follows a group of teenagers through their everyday lives of school, love and leisure time. Dolléans and director David Hourrègue wanted to reflect the darker storylines in the look of the show, while maintaining a vintage aesthetic.