To give the film First Man a strong sense of authenticity, director Damien Chazelle approached NASA to see if there was any archive footage from the Apollo era. The answer was they did but the footage was all in an obsolete format.
Samsung Electronics unveiled its largest-ever 3D-ready Onyx screen at Capital Cinema in the Xicheng district in Beijing, China. The December 7 opening of the world’s largest 3D LED cinema was timed with the premiere of Warner Bros.’ DC Comics superhero film Aquaman, which has a DTS:X immersive sound track. Aquaman opened with $93.6 million in ticket sales in three days in China, marking the best start for a Warner Bros. title in that territory.
Samsung India and Inox Leisure, one of India’s leading multiplex chains, today introduced Inox Onyx to Mumbai, ushering in the future of cinema to the land of Bollywood. Inox at Malad, Inorbit Mall will play host to Mumbai’s first Cinema LED Theatre.
83 Days, a shattering narrative short about racial injustice, which was shot with Panasonic cinema cameras, has been named an Official Selection of the 2018 Tampa Bay Underground Film Festival. The film has already received several best of festival nominations, including Best Short Film, Best Drama Film, Best Short Film Director and Best Short Screenplay.
Technicolor PostWorks New York provided finishing services for The Dawn Wall, the riveting, new documentary from Red Bull House Media about free-climbers Tommy Caldwell and Kevin Jorgeson’s historic attempt to conquer El Capitan in Yosemite National Park. Colorist Keith Jenson worked with co-directors Josh Lowell and Peter Mortimer and cinematographer Brett Lowell in finalizing the look of the documentary, which takes audiences along for the climb as Caldwell and Jorgeson test themselves against a sheer, 3,000-foot rock face known as the Dawn Wall.
The makers of the Screen Gems feature film The Possession of Hannah Grace are claiming an interesting cinema technology first: the project was shot in Boston using Sony A7S II mirrorless digital cameras combined with large format Hawk 65 anamorphic lenses from Vantage, an unlikely combination featuring lenses designed for large digital sensors combined with a full-frame camera with a DSLR form factor and a price tag under $3,000. Nevertheless, the filmmakers say it made for a high-quality, cost-effective production workflow.
Cineplexx International has opened its second and third MX4D Theatre in less than two months, this time in Serbia. Located in the country’s capital of Belgrade, which has a population of more than a million people, Cineplexx’s second MX4D theatre boasts 100 seats configured into 25 benches.
The Oscar-qualifying film Ian has been released in an unprecedented joint effort from all major children’s Networks in Latin America: Disney, Discovery Kids, Nickelodeon, Cartoon Network, Boomerang, YouTube Kids and Pakapaka in Latin America and YouTube Worldwide. This emotional film is based on the true story of a boy called Ian. The film was created by Emmy nominee Gastón Gorali, produced by Oscar winner and two-time Emmy winner Juan José Campanella and directed by Abel Goldfarb. This important film aims to help children to understand disability and for the message of inclusion to reach every home.
Cinematographer Rick Malkames has a deep connection with the history of cinema. His father and grandfather were also cinematographers and film historians. Over the years the family has amassed a collection of cameras and projectors that stretch back to the very beginning of the motion picture industy. The historic collection traces innovations in projection technology from the beginning to the present. In a short video, recently released by Samsung, Malkames walks us through his family’s history and collection and concludes with his thoughts about Samsung’s Onyx LED Cinema Screen
The new feature film Mid90s, which marks the directorial debut of Jonah Hill, tells the coming-of-age story of Stevie, a 13-year-old Los Angeles boy who seeks escape from troubles at home in the company of the friends he meets in a local skate shop. Post-production finishing for the film was completed at Technicolor PostWorks New York where colorist Alex Bickel worked directly with Hill and cinematographer Christopher Blauvelt to recreate the sun-washed look of 1990s Southern California and the taut emotional landscape of Stevie’s world