CinemaNext today announced the launch of Sphera, its new premium format cinema concept, designed to deliver a superior movie going experience and content flexibility for cinema operators and theatre owners. CinemaNext will introduce Sphera next week during CinemaCon 2017 at Caesars Palace in Las Vegas.
For more than a decade, theatre management software has been the backbone of every cinema that made the transition to digital projection technology, which is to say, virtually every movie theatre in the world. Many different manufacturers provide their own approach to the challenges that TMS was designed to address. I recently spoke with five TMS manufacturers and asked if they thought exhibitors were getting the most from their TMS, where their TMS fits in a movie theatre enterprise and, most of all, what new ideas in TMS can we expect to see when the industry gathers in Las Vegas next week for CinemaCon 2017. We’re presenting the companies alphabetically and will be offering their answers over the next five days. First up: Arts Alliance Media.
The third and final series of ITV’s acclaimed TV crime drama Broadchurch was shot using Cooke Anamorphic/i lenses by cinematographer Carlos Catalan. The unusual decision to shoot a TV drama anamorphically was taken to make the most of the wide vistas of the coastal setting, and to bring a cinematic look to the story.
Seattle’s SIFF Cinema and the Northwest Film Forum will present the world premiere of Danger Diva, a Robert McGinley film, with a live rock concert from Thunderpussy on April 13. Danger Diva is a cyberpunk musical thriller that McGinley wrote, directed and produced.
Ymagis Group’s CinemaNext and Éclair will be showcasing EclairColor digital high dynamic range technology during CinemaCon at Caesars Palace March 27-30 in Las Vegas.
Prior to its opening this Friday, Disney’s live-action movie Beauty and the Beast has already set a new record as Fandango’s number one family pre-seller of all time, with Beauty pre-sales (through Monday night) already eclipsing total pre-sales for any other family film in Fandango’s 17-year history.
FireFly Cinema’s FirePost color grading application was used to produce the EclairColor mastered version of the Academy Award nominated film La La Land directed by Damien Chazelle.
The message from Barco at CinemaCon 2017 is that the company is delivering the future of cinema today, powering immersive entertainment experiences from the lobby to the auditorium and beyond. Featuring the brightest RGB Flagship and smart laser projectors, immersive digital lobby experiences, a unique panoramic storytelling platform, and lifelike 3D sound, Barco raises the bar for memorable movie experiences.
The Strand Theatre has been entertaining audiences in Rockland, Maine since 1923. Listed on the National Historic Register, the multi-use theatre has evolved over time to host folk, rock, blues, jazz and classical music performances, as well as films, comedy, live theatre and special events. To provide superior sound reinforcement for its diverse programming, the Strand Theatre upgraded their system with Fulcrum Acoustic full-range coaxial horn systems.
Two Netflix shows – Master of None and Love – have three things in common: both are comedies, both have a cinematic look and cinematographer Mark Schwartzbard shot both. Created by comedian Aziz Ansari and Alan Yang, Master of None tells the story of Dev, a 30-year-old actor who attempts to balance his career and love life in New York City. Love, created by Judd Apatow (Trainwreck, This Is 40), Paul Rust, and Lesley Arfin, explores an intense relationship between two Angelenos, Mickey (Gillian Jacobs) and Gus (Paul Rust).