Sony Pictures Post Production Services assembled an all-star lineup of talent to create the sound in Columbia Pictures and Marvel Studios’ Spider-Man: Homecoming.
Dolby Laboratories this week hosted Girls Who Code, a national non-profit organization dedicated to closing the gender gap in technology.
Samsung Electronics today announced that it has installed its first commercial Cinema LED Screen at Lotte Cinema World Tower in Korea. The high dynamic range display is the result of collaboration between Harman Professional Solutions and Samsung Audio Lab.
Éclair and EuropaCorp have announced that Luc Besson’s latest film, Valerian and the City of a Thousand Planets, will be available in ÉclairColor and in 2D in select cinemas in France July 26 and in Germany July 20, via Universum Films.
Alchemy Post Sound provided Foley effects for Good Time, the new thriller from directors Benny and Josh Safdie, supporting its action, vivid imagery and dark humor with creative sound. Working under the direction of supervising sound editor Ryan M. Price, MPSE, and re-recording mixer Evan Mangiamele, the Alchemy team (consisting of Foley artists Leslie Bloome and Joanna Fang and Foley mixers Ryan Collison and Nicholas Seaman) produced a vast assortment of custom sounds in preparing the film for festival screenings.
AlphaDogs has completed post-production services on Sony’s new superhero comedy, Cross Wars, a high-spirited and dynamic action comedy in the vein of Deadpool and The Cannonball Run. The story features lots of celebrities (Danny Trejo, Tom Sizemore, Brian Austin Green, Vinnie Jones and more), as well as newcomers having fun battling the streets of Los Angeles, with hot girls, sexy guns and witty banter.
CineStar has signed an agreement with Ymagis Group’s CinemaNext to oversee all projection and audio installations, field services and technical customer service for CineStar’s entire network of 52 locations across Germany, representing a total of 409 screens.
For Gisle Tveito, a 26-year veteran, supervising sound editor, dubbing mixer, and one of the owners of Storyline, getting the sound design process to run closer to parallel with the video editing process has always been a goal. While many sound departments wait for picture-lock before starting to work on the sound, the team at Storyline is breaking the mold of the traditional serial workflow by closely aligning audio with video editors from the first cut.
Wonder Woman's audience evolved in a similar manner as most blockbusters but with some trends notably magnified, according to an audience evolution report released by Movio. While the female and fifty and older segments of the audience generally grow over the course of a blockbuster’s run, Wonder Woman’s female audience nearly reached parity with the male audience by the third week.
Morgan Stanley analyst Benjamin Swinburne issued a report this week in which he argues that the big studios should get serious about premium on-demand video and suggests that Hollywood release feature films to the home while they’re still showing in movie theatres.