Sam Chynoweth joined Technicolor in July 2018 and brings a mixture of animation and live action experience to Technicolor’s London color team. Chynoweth previously worked as a colorist in Australia on a number of different projects, including The Lego Movie, The Infiltrator, Peter Rabbit and The Lego Batman Movie. He spoke with Digital Cinema Report recently about his work.
Part Vittorio De Sica’s Bicycle Thieves, part Goonies on skateboards, director Lije Sarki’s Concrete Kids tells the story of two nine-year-old boys from Venice, California who, for a contest, set off on a mission to cross Los Angeles on skateboards at night to reach the Staples Center by morning. Now streaming on Amazon Prime, the low-budget feature from The Orchard was shot by cinematographer Daron Keet with Panasonic VariCam LTs in available light mainly at night.
Last week, seven years after the group’s inception, the Event Cinema Association managing director Grainne Peat proudly took center stage at CineEurope and presented ECA members’ product presentation to a packed main auditorium. This successful event did not happen overnight.
With a unique improvisational acting style at the heart of the Netflix original film, Paddleton, capturing audio was of paramount concern for sound supervisor Daniel S. McCoy CAS, owner and operator of ToneMesa, Inc. “Sometimes, the team would go off to unplanned locations and I’d have to be ready to follow immediately,” says McCoy.
The Star Cinema Grill of Richmond, Texas has become the second movie theatre in North America to install a Samsung Onyx LED Cinema Screen. And in true Texas style at 46-feet wide, it’s the largest Onyx screen in North America.
VFX Legion recently wrapped work on Ma, Blumhouse Productions’ new psychological horror film. The Burbank and British Columbia-based independent studio digitally mutilated and eviscerated characters, and augmented practical footage with computer-generated sequences, large-scale dynamics, new digital assets and composited shots that enhanced some of the movie’s most gruesome scenes.
Sound production for Columbia Pictures’ new action adventure Men in Black: International was completed by Sony Pictures Post Production Services on the studio lot in Culver City. Three-time Academy Award-winning sound designer/supervising sound editor/re-recording mixer Paul N. J. Ottosson led the sound team in delivering a host of ingenious sound elements to support the film’s colorful cast of characters, super-charged action scenes and extraterrestrial comedy.
Sound production for Her Smell¸ writer/director Alex Ross Perry’s new film about a self-destructive punk rocker named Becky Something (Elisabeth Moss) was completed at Goldcrest Post in New York. Ryan M. Price served as supervising sound editor, sound designer and re-recording mixer on the project, delivering a rich and nuanced soundtrack that brings to life a seedy rock club, an indie recording studio and other points along Becky’s road to ruin and eventual redemption.
Odeon Cinemas Group is adding new Dolby Cinema auditoriums at two locations: Odeon Manchester Trafford Centre and Odeon Luxe Birmingham Broadway Plaza.
Samsung has announced four new locations to be opened in Europe, two in Spain, one in Ireland and one in Romania. Two screens will be installed at Odeon Multicines in Spain. The company’s Plaza de Armas, Seville location will be the first to open in September with a 10-meter screen, followed by the CC San Vicente, Alicante location with an Onyx 14 meter, opening by October. This will be the first 14 meter screen installed in Europe. Both installations will be completed by Ingevideo and Equipo de Cine.