What are exhibitors’ technology needs and concerns today? And how might they change in the coming years? To answer these questions, global cinema software leader Arts Alliance Media and Digital Cinema Report are teaming up to find out what you think.
Arts Alliance Media
Malaysian exhibitor MBO Cinemas has fully deployed Arts Alliance Media’s enterprise theatre management system software, Producer. MBO Cinemas is the first exhibitor in South East Asia to centralize all their operations at head office with AAM’s Producer. The Goldenduck Group managed the system integration.
For more than a decade, theatre management software has been the backbone of every cinema that made the transition to digital projection technology, which is to say, virtually every movie theatre in the world. Many different manufacturers provide their own approach to the challenges that TMS was designed to address. I recently spoke with five TMS manufacturers and asked if they thought exhibitors were getting the most from their TMS, where their TMS fits in a movie theatre enterprise and, most of all, what new ideas in TMS can we expect to see when the industry gathers in Las Vegas next week for CinemaCon 2017. We’re presenting the companies alphabetically and will be offering their answers over the next five days. First up: Arts Alliance Media.
Arts Alliance Media has signed a deal with China’s Jackie Chan Cinema chain to deploy AAM’s Screenwriter Theatre Management System across more than 200 screens. The deal was concluded in conjunction with Beijing CServ, a professional IT and cinema TMS provider and one of AAM’s Chinese reseller partners.
Rich Phillips is chief technology officer for Arts Alliance Media, one of the pioneers of digital cinema. In this, the first article in an ongoing series of articles about the cloud, Phillips and I talk about how the evolving technology is changing the cinema business including distribution and exhibition.
After entering into a long-term strategic partnership last month, Arts Alliance Media and Wanda Cinema have concluded a deal for all of Wanda’s sites in China to be powered by AAM cinema technology. AAM’s Lifeguard hardware monitoring system and Screenwriter Theatre Management System will be installed on over 1,500 screens initially, a footprint that will grow over the coming years as Wanda Cinema maintains its position as China’s largest circuit. The rollout of the software will begin immediately.
Experienced freelance colorist and online editor Ian Grey was responsible for the stylish 2D color grading for Globe on Screen's three titles for Shakespeare’s Globe’s 2014 theatre season. The plays include three of the playwright's most popular and well-known works: A Midsummer Night’s Dream, Macbeth and The Tempest, which were recently released through the Arts Alliance Media. Grey did the grading on a Mistika. Mastering and deliverables, including conversion for cinema, were completed at BTV Post by its digital media services department.