UK-based Colin Nicolson has worked as a production sound mixer and recordist since the eighties, first in television and documentaries then increasingly in motion pictures, over recent years racking up credits including Murder on the Orient Express, T2 Trainspotting and The Theory of Everything. He’s now working on Walt Disney Pictures’ Artemis Fowl, which is currently in production.
China’s marketing-leading online entertainment service iQiyi today announced that it has officially opened its first Yuke on-demand movie theatre in Zhongshan, Guangdong. The company plans to open more Yuke movie theatres in first- and second-tier cities throughout China.
[Editor’s Note: Mark Smith is the owner and director of photography for Oh Seven Films, the production company he started in 2001. In this exclusive guest column he talks about the documentaries he's made about the search for Amelia Earhart.]
Over the years, my company has been involved in productions that span the gamut, from creating ads and television programs to documentaries and indie feature films. Though there’s certainly a lot of variety in our work, we focus heavily on documentary projects. For example, for the past 17 years, I’ve been the documentarian for TIGHAR (The International Group for Historic Aircraft Recovery) on an ongoing project to discover what happened to pilot Amelia Earhart — work that has resulted in a couple of Discovery Channel programs.
With 13 screens and more than 2,800 seats, Toho Cinemas Hibiya is the first cinema complex in Ginza/Hibiya area of Japan and the most elaborately decorated movie theatre. In order to ensure an impactful and immersive cinematic audio experience with balanced coverage for every seat in the theater, Toho Cinemas hired Xebex to install a premium surround sound system. To provide coverage from front to back, Xebex selected JBL Professional 9350 sculpted surround speakers for their superior coverage and brilliant sound quality.
While trying to keep her boyfriend’s surprise birthday party on track, Katie’s day takes a drastic detour after picking her brother, Seth, and his daughter up. Realizing Seth has relapsed in his heroin addiction, Katie drives him around town trying to find a detox center that will admit him. 6 Balloons was written and directed by Marja-Lewis Ryan and shot by cinematographer Polly Morgan, BSC (Spinning Man, The Intervention) with VariCam 35 cameras. The Netflix feature film, which stars Abbi Jacobsen and Dave Franco, had its premiere at this year’s South by Southwest film festival in March and began streaming on Netflix in April.
Philip K. Dick’s Electric Dreams, the anthology series produced by Sony Pictures Television in a joint venture with Channel 4 in the U.K. and Amazon Studios in the U.S., draws on the late science fiction writer’s voluminous short fiction for its stories of alternate realities, future worlds and paradoxical situations. The show’s first season is a feast for the imagination, consisting of 10 stand-alone, one-hour episodes, each based on a different Philip K. Dick short story and each with a different cast, director and writer. Split between England and the United States, production of Philip K. Dick’s Electric Dreams was logistically and creatively challenging.
Donbass, a new movie by Ukrainian writer/director Sergei Loznitsa, is to be shown as a work-in-progress version at the 2018 Cannes Film Festival. Post-production was to a tight timescale – shooting only wrapped in March – and Bucharest facility Digital Cube used a Baselight grading suite to ensure delivery while retaining full creative control over the look.
The Lichtburg, a historic cinema in the center of Essen, houses Germany's largest cinema hall with 1,250 seats. During the 50s and 60s the Lichtburg was one of the most important premiere cinemas of the Federal Republic. Creative people and distributors continue to use the theatre’s unique historic ambience of the cinema for premieres.
AlphaDogs has completed work on the new WWII short film Krieg. Directed and produced by Jeff Fry, Krieg follows the journey of a Waffen-SS officer who chooses to do the right thing while serving on the wrong side of a world at war. His remorse for inaction in the face of murder compels him to risk all in order to protect a wounded enemy airman.
In his annual address last week to the CinemaCon 2018 opening day audience, John Fithian, president and CEO of the National Association of Theatre Owners, gave a speech laced with familiar, and historically sound, themes: good movies drive people to theatres and good movies need to be seen on the big screen. Yes, there are months when box office numbers are down but those are dramatically offset by months where people of all ages fill the seats for the newest big movie. Yes, there are, and always will be, competition for moviegoers’ time and attention, but nothing will ever replace the big screen experience. Period.