Featured Stories

Point90 Cinemas Installs Volfoni 3D

Tue, 02/21/2017 - 11:48 -- Nick Dager

Point90 Cinemas is the first major cinema multiplex in the Fifth Settlement, New Cairo, Egypt, located right in front of the American University in Cairo, inside the Point90 mall. Its aim is to offer the ultimate cinema experience to the audience, with 11 premium screen halls equipped with the latest movie projection and sound technology. As part of that effort, Point90 is installing Volfoni 3D systems.

Barco Calls for an HDR Standard

Wed, 02/15/2017 - 15:09 -- Nick Dager

In ever increasing numbers, exhibitors around the world are making the transition to laser projection. In response to that, at CinemaCon 2017 Barco will unveil the DP4K-40LHC and 20LHC RGB Flagship, 6P 3D single chassis, integrated high contrast projectors to the American audience. But nowhere in the new projectors’ specs will you find the term high dynamic range, which, given their capabilities seems like an oversight. Barco has a specific explanation for this, namely that it believes the exhibition world needs an HDR standard.

MoviePass, Vista Collaborate on Ticketing

Tue, 02/14/2017 - 12:52 -- Nick Dager

MoviePass and Vista Group International are collaborating to allow theatre owners and chains nationwide that use VES ticketing to take advantage of full API integration with MoviePass’ growing subscription service. By integrating MoviePass directly into the VES ticketing software, participating theaters will be able to offer MoviePass members enhanced features and new capabilities on mobile devices. These features include:

Fraser Relied on Outsight for Rogue One

Fri, 02/10/2017 - 13:03 -- Nick Dager

Award-winning cinematographer Greig Fraser, ASC, ACS, relied on the Creamsource Sky, a water resistant five-color 1200W LED light system from Outsight for Lucasfilm’s Rogue One: A Star Wars Story. “Creamsource Sky is just so flexible and renders colors amazingly,” said Fraser. “I am obsessed with the technical, and Creamsource Sky produces really great skin tones. That can be a benefit and a curse when having to mix Sky with lights from other manufacturers, so I use a single brand of lighting for each source — one for skylight, one for a window, and another for facial lighting.”

Tarde Para La Ira Named Best Film

Thu, 02/09/2017 - 12:44 -- Nick Dager

The thriller Fury of a Patient Man (Tarde Para La Ira) won a plethora of awards at Spain’s Goya Awards, including the award for Best Film. The film, directed by newcomer Raul Arevalo and starring Antonio de la Torre, Luis Callejo, Ruth Diaz and Raul Jimenez, was finished at Madrid post-production facility Free Your Mind, which carried out the conforming, color grading and finishing using an SGO Mistika.

Online Documentary Shoots 4K

Thu, 02/09/2017 - 12:30 -- Nick Dager

Content studio Malka Media of Hoboken, New Jersey is currently shooting a documentary series for release online about Jersey City, New Jersey’s St. Anthony High School and its legendary basketball coach, Bob Hurley with VariCam LT 4K cinema camcorders. Louis Krubich, Malka Media CEO and series director said that when longtime client Showtime approached him about the St. Anthony story, he and his staff directors of photography agreed that the VariCam LT would be a great choice for this sports documentary, largely because of its 4K acquisition and dual-native 800/5000s.

RodeoFX Contributed Arrival VFX Shots

Wed, 02/08/2017 - 12:42 -- Nick Dager

Montreal’s Rodeo FX completed 60 visual effects shots for Arrival, the alien visitation movie from acclaimed director Denis Villeneuve (Sicario, Prisoners, Enemy). Working once again with VFX supervisor Louis Morin, the studio helped create a gravity shift sequence, multiple aircrafts, digital doubles of actors and the scene when they entered the alien shift.

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