The rustle of a newspaper, the sounds of the bus engine far away, the steps of the stalker in the pitch-black night. Writer/director Roxanne Benjamin used only the soundscape to make her short film Final Stop and to create an astonishingly realistic and thrilling cinematic atmosphere. Benjamin made Final Stop for Sennheiser to showcase some of the company’s latest audio technology. It was recorded in immersive 3D audio, using just a Smartphone and recording most of the audio with Sennheiser’s Ambeo Smart Headset, which was developed with A/D conversion specialist Apogee.
When it came time earlier this year for the owners of the Moviehouse & Eatery theatre chain to open their fifth complex, they turned once again to systems integrators Entertainment Supply & Technologies. ES&T has been a supply partner for Moviehouse & Eatery since the chain launched in 2012. “We have enjoyed a very productive working relationship with this client in the past,” said Barney Bailey, president and CEO of ES&T, “but this was an even more exciting and challenging project because it is first time we installed a complete Christie digital projection and Vive sound system package for a customer.”
Pixelogic has opened new advanced and innovative post-production content review and audio mixing theatres within its facility in Burbank, California. The main theatre is equipped with a Dolby Vision projection system, and supports Dolby Atmos immersive audio.
MTI Film has completed the 4K restoration of Time Piece, a 1965 short film written, directed and starring the late Jim Henson. The story of a man’s desperate attempt to escape the passage of time, the short received an Academy Award nomination and is a testament to Henson’s under appreciated work as an experimental filmmaker.
When the decision was made – more than a decade ago – to convert all the movie theatres in to world to digital technology it unleashed a spirit of innovation that shows no signs of stopping. Certainly, challenges remain, but the savviest exhibitors have learned to embrace new ideas as the best way to stay ahead in an increasingly competitive business. One of the technology leaders in all of this has been Dolby Laboratories.
Éclair today announced the successful deployment of ÉclairBox content delivery in Denmark through Nordisk Film. The company credited Divo Post Production with supporting the delivery. Plans to further expand theatrical services across Scandinavia have been finalized. The announcement was made during the 2018 edition of the Norwegian International Film Festival Haugesund.
Cineplex, one of Canada’s largest entertainment and media companies, has announced that it will install Unique X theatre management system software across its enterprise. The agreement continues Unique X’s expansion into the North American cinema market.
Dolby and the Wanying Cinema Line Company Limited have announced a partnership to extend the Dolby Cinema experience to more moviegoers in China. The exhibitor, which is wholly owned by China Resources Land Limited, operates movie theatres across China with the brand MixCine. The first location under the agreement is expected to be open at Wanying’s flagship site in Shenzhen with more locations to come in Southeast China in the following two years.
For William Wages, ASC, filmmaking is first and foremost about storytelling. He says his role, as a premier cinematographer is to capture the best performances with the least intrusion. “It’s less about the technology, and more about the story,” he says in a new video produced by Fujifilm. The winner of three ASC Awards, including ASC Career in Television honors in 2012, and two Emmy nominations, Wages is known for his sumptuous landscape and intimate photography in features such as Maya Angelou’s Down in the Delta, Roland Joffe’s The Forgiven, and Steven Spielberg’s TV mini-series Into the West, as well as his development of filmmaking tools that create more efficiency and transparency on set.
Éclair today announced the ÉclairColor certification of its content services unit in Berlin. This is the second ÉclairColor certification of an Éclair facility after Paris-Vanves. Two German releases have already been mastered in ÉclairColor by Éclair’s Berlin teams: Jacob Lass’ So Was Von Da, opening in cinemas across Germany today, and Florian Gallenberger’s Grüner Wird’s Nicht, opening August 30.