The Ymagis Group announced today that it has signed a binding letter of intent with L’Image Retrouvée SAS, a subsidiary of the Italian company L’Immagine Ritrovata, with the purpose of successfully implementing a continuation plan for its French subsidiary Eclair Cinéma SAS, currently in receivership.
View All Content
The competition for entertainment dollars is a constant challenge, especially for emerging theatre chains. Finding locations with a high discretionary income and offering a unique experience enables them to compete against larger, more established chains. Flix Brewhouse, for one, is not shy about letting customers boast about the good times they have at their theatres. To achieve its social media goals and grow its customer rewards program, The Circle, the exhibitor turned to Social Flash Media.
The Hollywood Professional Association has issued the call for proposals for the 2020 HPA Tech Retreat, which marks the 25th anniversary of this important event in media and entertainment technology. The annual gathering of professionals from around the world who work at the intersection of technology and creative media is a perennial sell out.
Arri announced today that it will begin shipping Alexa Mini LF cameras with final production software starting September 18. Owners of pre-production cameras can download the updated software and install it on their cameras.
Barco today entered the LED cinema screen market in a big way by purchasing a stake in Unilumin, a Chinese company that manufactures LED components on a major scale.
Randall Dark is one of the pioneers of making movies and television programs in large format digital video. I’ve known him for more than thirty years and known his wife, Kristen Cox for more than twenty. When Randall recently confided in me that he has Alzheimer’s disease, he encouraged me to think more about Kristen’s needs now than of his own. I reached out to her to offer my support and told her I wanted to write a profile of Randall to remind the industry of how important his contributions have been for the broader world of what we now call digital cinema. She agreed and here is part of that profile, told in their own words.
Randall Dark is a pioneer of making movies in large format digital video. Still developing projects today, he was arguably the industry’s most passionate advocate in the effort to convert the television industry to high definition. Since working on the world’s first HDTV production in the ‘80s – the CBC mini-series Chasing Rainbows – he has made countless feature films and documentaries that explore both the wonders of the world around us and the complexities and humanity within all of us. Recently Randall learned that he has Alzheimer’s disease. With his wife Kristen’s support, he is fighting the disease with all the creativity and humor and simple grace that those of us who are blessed to call him friend know so well.
Event Cinema Association executive director Grainne Peat will be celebrating her first year in that role when the association convenes in Amsterdam next month for its annual convention. It has been a busy year for the association and for Peat who has implemented many changes. I recently spoke with her to talk about all that has happened in the past eleven months. Peat says one of her key challenges going forward is to better define what event cinema actually is. But first, we discussed the association’s new website.
A new study from the European Audiovisual Observatory has found that the average release window in Germany, France, United Kingdom, Belgium and the Netherlands is 19.4 weeks from the time of a film’s release and it’s availability to purchase via video on demand.
The Long Walk is the third feature film by director Mattie Do (Chanthaly, Dearest Sister), who was raised in Los Angeles but relocated to Laos to become the country’s first, and only, female filmmaker. In an interview in Women and Hollywood, Do described her genre-bending film as “an unconventional time-travel thriller set in a forgotten rural village in Laos, about the ethos of a man, plagued by regret and loneliness, and his downward spiral into becoming a serial killer. He also has a very complicit ghostly friend.” Cinematographer Matthew Macar shot the low-budget feature over 32 days in Vientiane, Laos with very little prep time.
Sree Kalidas M-Plex has become the first cinema complex in the southern Indian state of Kerala to install cinema projectors featuring Christie RealLaser illumination and ViveAudio. Located in the capital city of Thiruvananthapuram, the newly completed multiplex has seven auditoriums. Christie’s Indian partner TSR handled the installation.
Abramorama and Atlantic Records have expanded the theatrical release of Melanie Martinez’s debut full-length film K-12 to 32 countries, with more than 450 theatrical screenings in seven languages. Multiple cinemas around the world have added second and third encore screenings to cater to the demand.
Film industry veteran David Burke has been appointed chief marketing officer of the Oscar-winning animation studio Laika, creators of Coraline, ParaNorman, The Boxtrolls, Kubo and the Two Strings and Missing Link. Burke joins Laika from Universal Pictures where he was general manager for the Republic of Ireland and Northern Ireland since 2006. Laika president and CEO Travis Knight made the announcement.
CJ 4DPlex, together with B&B Theatres, have launched the world’s first ScreenX Amphitheater in Overland Park, Kansas inside B&B Overland Park 16. The newly arranged auditorium, which marks the second largest ScreenX theater in the world will open with Warner Bros. Pictures’ It Chapter Two on Friday, September 6th.
The Climb, director Michael Angelo Covino’s engaging debut feature, centers on the complex friendship between two men, Michael and Kyle, played by Covino and real-life friend Kyle Martin. For its Foley team from Alchemy Post Sound (working under supervising sound editor/re-recording mixer Ryan Billia), The Climb posed unique creative and technical challenges. Its first act centers on a bike ride that Michael and Kyle take in France prior to Kyle’s wedding. As the two men ascend a long hill, Michael makes a stunning admission regarding his friend’s fiancé. The results are disastrous with the men ultimately becoming involved in a violent confrontation with a passing motorist. Adding to the tension, the whole scene is captured in a single, intricately choreographed Steadicam shot.
The July 19 opening of CJ 4DPlex 4DX with ScreenX at the Grand Cinema Sunshine in Ikebukuro, Tokyo, of Sony Pictures' Spider-Man: Far From Home, extended its run by four weeks due to sold out screenings during prime-time slots and recording attendance rates as high as 99 percent during peak showing times. In China, 4DX with ScreenX attendance numbers also soared, with occupancy rates doubling that of standard 2D formats for Spider-Man: Far From Home.
Christie is proudly supporting the Toronto International Film Festival as the Official Digital Projection Partner for the 19th consecutive year. The event runs September 5-15 and, for the first time, all major festival sites, including The Visa Screening Room at the Princess of Wales Theatre, Elgin Theatre, Roy Thomson Hall, Ryerson Theatre, and the Winter Garden Theatre, will be equipped with Christie 4K projection.
Huaxia Film Distribution recently held a grand launch in Beijing to formally introduce the Cinity Cinema System, which was unveiled earlier this year in Las Vegas at CinemaCon. A trailer of Gemini Man, the new film by Oscar award winning director Ang Lee was shown. Lee used the Cinity Cinema System to produce his latest film, Gemini Man in 4K stereoscopic 3D at 120 frames per second. He screened a trailer of the new film and made a video address to the audience gathered for the event.
Kinepolis has reached an agreement to acquire American movie theatre chain MJR Digital Cinemas. The transaction sees Kinepolis crossing the Canadian border to enter the U.S. market.
Sullurpet, a small town in Andhra Pradesh, around 80 kilometers from Chennai, is now home to South Asia’s largest movie theatre screen, the 100-foot wide by 54-foot high Epiq. Chennai-based Qube cinemas unveiled the first of its kind premium large format screen last month. Qube Cinemas is one of India’s foremost providers of end-to-end digital cinema technology and solutions.