Green Day and Abramorama are collaborating to distribute the upcoming film Turn it Around: The Story of East Bay Punk to be released across the USA in tandem with Green Day’s Revolution Radio World Tour during the summer of 2017. Abramorama will release the film, which was executive produced by Green Day, in theaters across North America and will work with the filmmakers on the global release across all platforms.
Award-winning animation studio Laika has tapped Striker Entertainment to serve as its worldwide licensing agent.
If there is one thing for which the recently opened Odeon Sambil Dolby Atmos multiplex in Madrid stands out, it is the number of technological firsts clocked up by its twelve theatres. It is the first multiplex in Spain with all its screens equipped with 4K projectors – all from Christie – and also the first to include Dolby Atmos and Christie Vive Audio sound in all its theatres, and the only multiplex in Spain with more than one laser screen. In this case, Sambil has two screens equipped with laser projection, both with Christie Solaria CP42LH RGB projectors.
Christie has announced that James Cameron’s Lightstorm Entertainment has renewed an exclusive, five-year agreement with the company for sharing know-how and technology to propel the future of immersive cinema experiences. “To push the boundary of digital cinema, one needs visionary, like-minded collaborators and that description fits Christie to a tee, given its long cinema heritage and impressive list of industry ‘firsts’ in the projection and visual display realms,” said Cameron. “Several years ago we began our relationship, which has worked well, so I’m pleased to be forging ahead again with Christie at my side.”
Barco has announced the opening of Japan’s first two theaters featuring Smart Laser technology. At both its Miyazaki and Omuta locations, cinema chain Central Cinema has replaced two existing projectors with Barco DP2K-20CLP projectors.
French cinema exhibitor Megarama has signed an agreement to install EclairColor HDR technology on 15 screens. “We will deploy the new EclairColor HDR technology at 10 of our cinema sites across France with the first two cinemas – Megarama Bordeaux and Megarama Villeneuve-La-Garenne – to be equipped in April,” said Jean-Pierre Lemoine, president and CEO of Megarama Group. “After laser technology, we are continuing to invest in the modernization of our own cinema equipment with EclairColor, a brand new, affordable HDR technology powered by Sony Digital Cinema 4K SRX-515 projection system technology. The benefits for moviegoers are real with a significantly enhanced image andan increased perception of details, the color range is much richer and the gradients much more refined, even in the darkest colors.”
Barco and CMX, a subsidiary of Cinemex, have partnered to equip the new CMX Theater at the newly opened, billion dollar plus Brickell City Centre in Miami, Florida with Barco’s Smart Laser cinema projectors. When it opens in April, the cinema will deliver the region’s best movie presentation quality while operating at a significantly lower cost than traditional xenon-powered theaters.
Christie has announced that the Cinema Sunshine Aira Theatre, owned by Sasaki Kogyo will deploy the advanced Christie CP42LH RGB laser projection system in April. The Christie enhanced wavelength diversification system comprises a single 3DLP 4K RGB laser projection head and an EWD laser light farm with fiber-optic delivery. It will be fitted in Auditorium 5 of Cinema Sunshine Aira Theatre.
Crunchyroll has announced that the first-ever Anime Movie Night will take place on April 26 in more than 200 theaters nationwide. The quarterly anime cinema programs are made possible through Crunchyroll’s alliance with Screenvision Media, in association with event cinema creators Kaos Connect.
For more than a decade, theatre management software has been the backbone of every cinema that made the transition to digital projection technology, which is to say, virtually every movie theatre in the world. Many different manufacturers provide their own approach to the challenges that TMS was designed to address. I recently spoke with five TMS manufacturers and asked if they thought exhibitors were getting the most from their TMS, where their TMS fits in a movie theatre enterprise and, most of all, what new ideas in TMS can we expect to see when the industry gathers in Las Vegas next week for CinemaCon 2017. We’re presenting the companies alphabetically and will be offering their answers over the next five days. Today’s company: CinemaNext.