Featured Stories

SMPTE Schedules Time Code Summits

Wed, 09/28/2016 - 11:38 -- Nick Dager

The Society of Motion Picture and Television Engineers will host a series of Time Code Summits to gather feedback that will contribute to the creation of a new Time Label standard. As the next-generation standard to SMPTE Time Code, widely viewed as one of the most important standards in the audio/video industry, the new Time Label standard will address the continuing, new, and emerging requirements of handling media across the cinema, broadcast, theatrical, music recording, concert, live entertainment, and theme park markets.

NEC Europe Launches NC1000C Projector

Wed, 09/28/2016 - 11:25 -- Nick Dager

NEC Display Solutions Europe today launched the NC1000C, its second-generation digital cinema projector using NSH lamp technology, offering an enhanced cinema experience at theatres with smaller screens or small projection booths. The company says the new projector is compact, silent in operation and matches the specific demands of mobile cinema applications and theatres without dedicated projection booths.

Shooting in Tight Spaces

Thu, 09/22/2016 - 13:49 -- Nick Dager

Cinematographer Gareth Paul Cox recently shot up-and-coming director Aundré Johnson’s tentatively titled project, The Driver, an ambitious 15-minute short that takes place mostly inside a car. It tells the story of a limo car service driver, who ventures off the beaten path to start his own car service using borrowed money from individuals with possible mob ties. For Cox, there were several big challenges for the low budget short, including driving and shooting on L.A. streets without a process trailer, or any serious rigging.

The Importance of Color in Comedy

Thu, 09/22/2016 - 13:38 -- Nick Dager

Created by Schuyler Helford a Los Angeles-based producer, writer and comedic actress (Anger Management, The Middle), the new web series Indoorsy is an original comedy about three agoraphobics who decide to move in together and open a day spa inside their apartment, appropriately called spa-partment. “I have learned that that color-correction is such a crucial part of setting the tone for the story, especially in comedy,” said Helford.

National Upgrades with Barco Laser

Thu, 09/22/2016 - 10:02 -- Nick Dager

National Amusements and Barco have established a strategic partnership to convert all Showcase XPlus auditoriums to Flagship Laser projection. As part of the agreement, National will install Barco’s Flagship Laser projectors in all of its premium large format Showcase XPlus auditoriums beginning with six of its top theater sites in the Massachusetts, New York and New Jersey areas. In the future, all XPlus auditoriums will feature Barco’s Flagship Laser projection technology.

TimePlay Supporting Vista Project

Wed, 09/21/2016 - 13:26 -- Nick Dager

In what could be the first real breakthrough in event cinema, TimePlay will provide its proprietary mobile platform to support The Vista Project student film competition. The Society of Motion Picture and Television Engineers is a key partner in The Vista Project. TimePlay’s globally patented IP, allows moviegoers to control how stories unfold on the cinema screen in real-time. The deadline for submissions to the contest has been extended to November 15.

Shooting B&W for a Timeless Feeling

Wed, 09/21/2016 - 12:51 -- Nick Dager

As soon as DP/director Alex Lehmann got the go-ahead to shoot Blue Jay, his first feature film, he immediately knew he wanted to shoot it in black and white, and he knew what camera he was going to use. He’d tested the new Canon ME20F-SH multi-purpose camera for a horror film he was set to shoot, but which never got made. He felt the camera was ideal for Blue Jay because it satisfied several concerns: it works in extremely low light, was affordable and is simple to operate. Shooting in black and white was a creative choice. “We were going for a timeless feeling,” Lehmann said.

Pages

Subscribe to Featured Stories