For the past few years, it was a safe bet that the technology priorities for chief technology officers in broadcast and other professional media verticals involved a move to the cloud, however where it fell on the list of priorities varied widely. With so many media and technology professionals “finding the time” to move their infrastructure to the cloud, it was happening on the weekend, in the evenings, during quiet days in the office, and for some, it was little more than a hobby. The pandemic changed priorities heavily by demanding a development that has been a long time coming—a complete move to the cloud.
Technologist Jack Watts began his career in post-production in the Republic of Ireland. In 2013 he joined Technicolor in London where he was head of technology and development. He moved to Deluxe in London is 2015 as part of the joint venture between the two digital cinema business units at both companies. There he primarily focused on mastering solutions for digital cinema, and then eventually, the interoperable master format. There he acted as an internal consultant to the technical operations, client services and business development teams. Externally, there was also the need to consult the business’s premium studio clients.
Catherine Meininger is a color scientist at Portrait Displays in Edmonds, Washington. She graduated from the Rochester Institute of Technology in 2018 with a Bachelor of Science degree in Motion Picture Science. “I’ve always had an interest in audio and video post-production and thought for the longest time that my career was going to be video editing,” she told me in a conversation via email. “However, while attending college, I discovered an industry where I could use my skills in math and science alongside my creative interests, and ended up finding a career that pleased both the left and right sides of my brain. I still practice audio and video editing on the side, but my main passions now lie in color science and psychophysics.” She is also already a longtime member of the Society of Motion Picture and Television Engineers and is a SMPTE volunteer and two-time presenter at the associations' annual Fall conference.
Barbara H. Lange became executive director of the Society of Motion Picture and Television Engineers in January 2010. “I can’t believe how fast time has passed,” she told me. “We’ve done quite a bit over the decade.” That is an understatement. In that time the Society has digitized SMPTE’s journal, conference papers, and standards to create the digital library that provides end-users access to SMPTE’s breadth of intellectual property, as well as being a sustainable revenue stream for the organization. In addition, the Society expanded its educational offerings by increasing the number of webcasts, virtual courses, and even conference programs that it delivers with excellent technical content. Today, more people are registering to attend SMPTE webcasts than ever before.
The Hollywood Section of SMPTE will host a demonstration of classic movie sound technology at its monthly meeting Tuesday, July 25, in Hollywood. The event will include a live performance by Joe Rinaudo, founder of the Silent Cinema Society, on an American Fotoplayer (provided by the Academy of Motion Picture Arts and Sciences). The Fotoplayer is a type of player piano used in movie theaters during the silent era to provide sound effects and music.
In what could be the first real breakthrough in event cinema, TimePlay will provide its proprietary mobile platform to support The Vista Project student film competition. The Society of Motion Picture and Television Engineers is a key partner in The Vista Project. TimePlay’s globally patented IP, allows moviegoers to control how stories unfold on the cinema screen in real-time. The deadline for submissions to the contest has been extended to November 15.
The Society of Motion Picture and Television Engineers and the Hollywood Professional Association today announced the Official Selections for the 2016 SMPTE-HPA Student Film Festival. Jurors curated the selected shorts from a record number of more than 250 submissions from more than 46 countries.
The Society of Motion Picture and Television Engineers is celebrating its Centennial with celebrations worldwide. The celebrations include honoring SMPTE's Founders' Day and the 100th anniversary of its incorporation – July 24 and August 10, respectively. The festivities, which include cakes ornamented with the SMPTE logo and messages of well wishes, actually began in 2015 during the biennial SMPTE technical conference in Sydney and continue with global celebrations held by SMPTE Sections and partner organizations.
The Society of Motion Picture and Television Engineers today announced that Ymagis Group, the European specialist in digital technologies for the cinema industry, has used the next generation of SMPTE's Digital PROjection VErifier (DPROVE2) to simplify and accelerate adoption of the SMPTE Digital Cinema Package (SMPTE-DCP).
The 2016 NAB Show's The Future of Cinema Conference: The Immortal Movie, produced in partnership with SMPTE, will explore how content creators and storytellers combine artistry with motion-imaging technology to thrive today — and into the future. Acclaimed film director Ang Lee will give the keynote address, Pushing the Limits of Cinema, and discuss his vision for cinema and the creative opportunities for the future of filmmaking.