For the new independent drama Mayday, Goldcrest Post senior colorist Marcy Robinson worked with director Karen Cinorre, in her feature debut, and cinematographer Sam Levy to hone a unique visual language for a one-of-a-kind story that blends fantasy and reality in colorful and unexpected ways.
Pace Pictures provided complete post-production services for Tremors: Shrieker Island, the latest installment in the cult horror franchise about giant, worm-like creatures that prey on humans.
THX, Cinionic and Nordisk Film Cinema, today announced their collaboration to launch the first THX Ultimate Cinema in Europe, to be deployed at the Nordisk Film crown jewel, the historic Imperial Theatre in Copenhagen. THX Ultimate Cinema powered by Cinionic Giant Screen provides movie exhibitors with a branded and differentiated premium large format offering which includes laser projection from Cinionic, an immersive audio system, as well as acoustic and performance specifications and an auditorium experience that has been calibrated by THX.
RSB Cinemas has become the first Dutch exhibitor to adopt a fully cloud-based theatre management system. The independent group has selected CineXpert’s e-TMS for its six cinemas across the Netherlands.
Goldcrest Post recently performed a feat of post-production magic for one of the most unusual film releases of the year. Grizzly II: The Revenge, a thriller about a giant bear that attacks fans at a rock concert, was shot in 1983 by the late Hungarian director André Szöts. Starring Steve Inwood, and including appearances by George Clooney, Laura Dern, Louise Fletcher and Charlie Sheen, the film was intended to be a sequel to Grizzly, a modestly budgeted independent film that became the top grossing independent film of all time upon its release in 1976, but it was left unfinished. That changed late last year when executive producer Suzanne C. Nagy retrieved the nearly 40-year-old original elements from storage and sought Goldcrest’s help in getting the film ready for its long-delayed release.
As the industry continues to transition towards IP-based solutions, many integrators have found themselves limited by budget-related restrictions. Diversified, a global technology solutions provider, recently ran into this challenge when it came to a project at BerkleeNYC, a campus-based recording studio formerly known as Avatar Studios. In the process of building a cost-effective IP network for the school’s renowned Power Station recording studio, Diversified turned to TSL Products to provide an IP routing interface that marries TSL’s virtual control processor, the GTP-V1, and its renowned Virtual Panels into a solution that TSL has coined, IP-Cross Connect.
Muvi Cinemas of Saudi Arabia is converting all its theatres to Vista Cinema theatre management software. All existing sites have been converted to Vista Cinema’s software suite, including Film Manager, full food and beverage management tools together with new application, Serve, and the extensive Vista Loyalty functionalities.
Arriving in movie theatres in the summer of 1988, Coming to America starred Eddie Murphy as Prince Akeem Joffer from the fictional African nation of Zamunda. Upon learning that his parents, King Jaffe (James Earl Jones) and Queen Aoleon (Madge Sinclair), had arranged for him to be married, Akeem and his aide Semmi (Arsenio Hall) embarked on a journey to find the prince a bride with whom he could connect both emotionally and intellectually. Naturally, Akeem’s quest for the future queen of his nation took him to Queens, New York, and it was there that he met and fell in love with Lisa McDowell (Shari Headley). Directed by Craig Brewer, the sequel Coming 2 America finds Akeem and Lisa 30 years later and still happily married, now with three daughters of their own.
As one of the preeminent feature film re-recording mixers working today, two-time British Academy of Film and Television Arts Award nominee Jaime Baksht has spent almost three decades behind the re-recording console, credited for mixing I Am No Longer Here (2020, Ariel Award Best Sound), Pan’s Labyrinth (2006, BAFTA Nominee, Goya Winner Best Sound), and Darius Marder’s directorial debut Sound of Metal (2021, BAFTA, CAS, AMPS Sound Nominee). Most recently, he received an Oscar nomination for Best Sound for his work on Sound of Metal. In film work, he says, every emotion sounds different.
Venice Cinemas has deployed a suite of innovative projection and content management solutions to deliver awe-inspiring visuals in its upgraded multiplex in Taoyuan City, Taiwan. Located in the bustling business district of Zhongli, Venice Cinemas is spread across two buildings connected by an iconic, red-colored pedestrian bridge reminiscent of those found in Venice, Italy. It recently underwent a major facelift by adding five new halls at the basement level, boosting the total number of cinema auditoriums from 10 to 15. These five new halls are equipped with 8.5-meter (27.8 foot) screens, adorned in special color schemes, and connected to a spacious lobby featuring highly immersive waterfall projections that accentuates the multiplex’s distinctive aquatic theme.