Robert Lorenz’s movie The Marksman debuted at number one upon release in the U.S. and owes much of its look to cinematographer Mark Patten. “The nature of the shoot is that the story starts in the big vista landscape of New Mexico and then turns into a road movie,” said Patten.
Arri Alexa Mini camera
Cinematographer Akis Konstantakopoulos, GSC, mixed natural lighting and handheld camera work to bring a natural and informal dimension to The Chosen, a multi-season TV show charting the life of Jesus Christ. “If you normally find Bible projects boring or unrelatable, like I do, this will feel different. And I like to think that the look of it has contributed to it being such an international hit,” said Konstantakopoulos.