VFX Legion

Charm City Effects

Mon, 10/12/2020 - 08:50 -- Nick Dager

Director Angel Manuel Soto's powerful award-winning coming of age drama, Charm City Kings won the U.S. Dramatic Special Jury Prize for Ensemble Acting at this year's Sundance Film Festival. Inspired by the dirt-bike culture revealed in the documentary 12 O'Clock Boys, the film is the story of Mouse (Jahi Di'Allo Winston), a boy who desperately wants to join an infamous clique of bikers that rules the inner-city streets of West Baltimore. It centers on the 14-year old's emotional struggle between a strait and narrow path and the thrill and fast money of a biker's world filled with violence.

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VFX Legion Opens British Columbia Facility

Mon, 08/24/2020 - 09:44 -- Nick Dager

VFX Legion, a remote boutique-style global company, has announced the opening of a full-scale division in British Columbia. An early proponent of the virtualization of visual effects, industry veteran James David Hattin launched the company in 2013, introducing a groundbreaking collaborative work-from-home business model almost a decade before COVID-19 made social distancing essential. Headquartered in Los Angeles, the company’s new Kelowna-based division takes its road-tested remote visual effect services to the next level.

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Don’t Make Ma Angry

Mon, 06/24/2019 - 11:00 -- Nick Dager

VFX Legion recently wrapped work on Ma, Blumhouse Productions’ new psychological horror film. The Burbank and British Columbia-based independent studio digitally mutilated and eviscerated characters, and augmented practical footage with computer-generated sequences, large-scale dynamics, new digital assets and composited shots that enhanced some of the movie’s most gruesome scenes.

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Blending Two Visual Looks into One

Thu, 03/22/2018 - 14:07 -- Nick Dager

VFX Legion recently created the visual effects for the highly anticipated crossover episodes of Scandal and How to Get Away with Murder. Legion has handled all of the visual effects for both shows for almost three-years. However, the crossover episodes required visual effects that blended with two series that use different tools and each have their own look, presenting a more complex set of challenges.

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