With 2020 having been a highly unusual year for the recording industry, the release of Taylor Swift’s Folklore: The Long Pond Studio Sessions on the Disney+ platform at the end of November provided a welcome, intimate insight into one of the biggest recording stars of our time. A mix between documentary film and live performance, the 106-minute-long movie sees Swift perform all the tracks from her Folklore album live at the secluded Long Pond Studio in upstate New York.
As virtual production has gained momentum during the pandemic, and could well continue when it’s over, Sony Electronics has introduced two-direct view LED screens – the modular C-series with high contrast and the B-series with high brightness. The B-series was developed in collaboration with Sony Pictures Entertainment to reflect the creator's needs.
When Graham Sheldon got the call from showrunner Johnny Fountain to be his DP for remote production on the new Behind Every Man series, he felt up to the challenge. Sheldon’s technical background, and his willingness to try new and potentially unproven shooting methods gave him the confidence to capture the interview-heavy documentary-series amid COVID-19 restrictions.
The global pandemic has forced the world’s cinemas to close down. The biggest film festival in Scandinavia is therefore creating The Isolated Cinema on the lighthouse island of Pater Noster. One film enthusiast will be able to enjoy the festival in total isolation on a rock far out at sea, with film as his or her only companion. There will also be exclusive one-person film screenings at two iconic venues in Göteborg. Our world looks very different today, and so too does the Göteborg Film Festival. The 2021 festival will be digital, with audience having access to all the films, premieres and talks via a digital platform. Some participants will also get a real-life experience with the opportunity to watch the films in total seclusion: The Isolated Cinema.
Reading International has launched Angelika Anywhere, a streaming platform curated for film lovers, as inspired by its Angelika Film Center in New York City, one of North America’s most recognized dedicated arthouse. Since its inception in 1989, the Angelika’s flagship SoHo cinema has been debuting and celebrating groundbreaking independent and international films, many of which have gone on to become important pinnacles of the cinema industry at large.
The future of independent film production in a post-covd-19 world is taking “virtual” shape at Pace Pictures in Hollywood. The boutique facility recently used groundbreaking virtual production technology to produce Match, a feature-length romantic comedy from director Sean McGinly (Silver Lake, The Great Buck Howard). Actors were shot on a green screen stage and placed into virtual three-dimensional environments while incorporating complex camera movement and lighting. Most remarkably, principal photography was accomplished in just five days and at a fraction of the cost of most conventional film productions.
When director Carlos Montero finalized the deal to turn his novel, The Mess You Leave Behind, into an eight-episode mini-series for Netflix, one of the first calls he made was to cinematographer Isaac Vila to ask him to take on the project. Vila, a frequent Cooke lenses user, knew the range of S7/i Full Frame Plus lenses would allow him to achieve a sharp, subtle and smooth rendering to create magical scenery when playing around with the fog, humidity, stone, and contrasts of the scenery the series would have in the background.
Visualization services company Opsis recently provided end-to-end services from concept, pre-vis, post-vis, and finalizing VFX shots to assembling the right talent on Songbird, director Adam Mason's new dystopian thriller from producer Michael Bay. Opsis integrated VFX Legion into its effects team.
New York Women in Film & Television has presented two filmmakers with grants funded by the Alan M. & Mildred S. Ravenal Foundation. The NYWIFT Ravenal Foundation Grant supports the production of a feature film from a female director over 40. Funds may be used for pre-production, production, or post-production.
In an open letter to the motion picture industry today CMX Cinemas’ chief financial officer Luis Castelazo called upon the studios to recognize the challenges that exhibitors are currently facing and to treat them as the important partners they are. Here is his letter in its entirety: