Supercines, Ecuador’s largest cinema chain, has opened a 16-screen multiplex in the city of Guayaquil. Located in the Riocentro Ceibos shopping mall, the new Supercines Ceibos, can seat 3,034 spectators, making it the biggest in the country.
Sound and mastering engineer Fernando Richard, mixing engineer Ivan Markovic and sound designer Francisco Bissone recently teamed up to launch Immersive Audio Solutions in Buenos Aires, Argentina. The studio is designed to offer immersive sound solutions for a wide array of platforms. A Dolby Atmos-approved studio, IAS also has the capabilities of mixing for Sony 360 and Ambisonic formats.
FilmLight has announced a new program of awards which will honor colorists and the art of color worldwide. The awards are being organized in association with professional bodies and are open to colorists using any grading technology, with the winners announced at EnergaCamerImage 2021 in Poland.
The Event Cinema Association’s annual Slate Day will return Wednesday June 9 and will be free to all to join.
The Cinema Technology Community has launched a new job board service to help support the cinema industry as it emerges from the pandemic. The new free-to-use job board aims to provide a conduit to connect organizations from across the globe working in the cinema industry with professionals seeking employment.
An Adelaide native, Chelsea Mirus trained at Rising Sun Pictures in 2016 while working toward a Media Arts degree from the University of South Australia. Moving quickly into a staff position as a visual effects coordinator at RSP, she worked on a string of high-profile projects including Captain Marvel, Alita: Battle Angel, Thor: Ragnarok and Game of Thrones. Then, in 2019, she accepted a post with Important Looking Pirates, a VFX studio based in Stockholm, Sweden, and moved halfway around the globe to become part of a team attached to such hit shows as The Mandalorian, Westworld, Lost in Space and The Stand.
As a growing number of film producers embrace the idea of virtual production, Arri has established the Arri Solutions Group, which is focused on the design and engineering of customized production infrastructures, including innovative mixed-reality environments, and other ultra-modern solutions. One of the group’s first mixed reality reference projects is the recently operational Dark Bay Virtual Production Studio in Babelsberg near Berlin.
Cinionic, the Barco, CGS, and ALPD cinema joint venture, has expanded its exclusive relationship with South Korean-based exhibitor CJ CGV Cinemas to power more theatres with its projection systems. Under the new agreement, Cinionic will provide a technology mix that includes Barco Alchemy ICMP-X media servers and Barco projection for all new CJ CGV theatres over the next two years as the circuit pursues its ambitious growth strategy.
“Sound is important in all films, but in a supernatural thriller, it’s gigantic,” says writer/director Evan Spiliotopoulos, talking about his new film The Unholy. “What you hear and what you don’t hear are essential to crafting scares.” The new Screen Gems thriller follows Alice, a young hearing-impaired girl who, after a supposed visitation from the Virgin Mary, is inexplicably able to hear, speak and heal the sick. As word spreads and people from near and far flock to witness her miracles, a disgraced journalist hoping to revive his career visits the small New England town to investigate.
Technicolor has launched Technicolor Creative Studios, forming a collaborative global structure to drive innovation and creativity across its family of studios. As the company’s flagship division, it will focus on the transformation of the entertainment, experiential, and advertising industries. Technicolor Creative Studios’ new proposition – Beyond Imagination – comes from a desire to spark unparalleled creativity, pushing the boundaries of the imagination to bring groundbreaking and unforgettable ideas to life.