Bullet Train, from Sony Pictures and director David Leitch centers on an unlucky assassin named Ladybug (Brad Pitt), determined to do his job peacefully after one too many gigs gone off the rails. Fate, however, has other plans as Ladybug's latest mission puts him on a collision course with lethal adversaries from around the globe —all with connected, yet conflicting, objectives— on the world's fastest train. Post-production sound for Bullet Train was based at Sony Pictures Post Production Services and presented a myriad of creative opportunities through its furious action, whip-smart comedy, crackling dialogue and ripping-good story.
Sony Pictures Post Production Services
Sound editorial and mixing for Ghostbusters: Afterlife was based at Sony Pictures Post Production Services where a veteran crew led by supervising sound editor/re-recording mixer Will Files, supervising sound editor Perry Robertson and re-recording mixer Mark Paterson faced the formidable challenge of following in the footsteps of a legend. Released in 1984, the original Ghostbusters is among the most beloved comedies of all time and elements of the film, including many of its signature sounds, are etched in the minds of movie fans around the globe.
Seventeen years after Bad Boys ll, the Bad Boys Mike Lowrey (Will Smith) and Marcus Burnett (Martin Lawrence) teamed up again for one last ride in Sony Pictures’ worldwide box office hit, Bad Boys for Life. Car chases, gun battles, explosions and other forms of mayhem—all requiring robust sound treatment—occur throughout the film, but the story is driven by the hilarious bad-boy banter between Mike and Marcus. Capitalizing on every twist and turn of the action sequences while allowing the humor to punch through was a challenge for the sound artists.
In Columbia Pictures’ Jumanji: The Next Level, the gang from the 2017 hit, Jumanji: Welcome to the Jungle, is back but the game has changed. As they return to Jumanji to rescue one of their own, they discover that nothing is as they expect. The players will have to brave parts unknown and unexplored, from the arid deserts to the snowy mountains, in order to escape the world’s most dangerous game. The film, which made its way to North American theatres in December, has collected more than $600 million at the global box office. Also marking a return engagement is the team from Sony Pictures Post Production Services that created the earlier film’s soundtrack.
Box office hit, Venom, from Columbia Pictures, was among the first films to have its sound work completed through Sony Pictures Post Production Services’ expanded facilities on the studio lot in Culver City. Supervising sound editor/re-recording mixer/sound designer Will Files and his crew used a new theater-style sound design suite to create sound effects for the film, which stars Academy Award nominated actor Tom Hardy as both the alien symbiote Venom and its human host, Eddie Brock
Superfly is Columbia Pictures’ reimagining of Gordon Parks Jr.’s classic 1972 crime drama that defined its genre through its characters, look, sound and feel. Helmed by Director X and written by Alex Tse, the new movie transports the story of Priest (Trevor Jackson), from Harlem to modern-day Atlanta and reenergizes its vibe for a new generation. The movie’s sound team from Sony Pictures Post Production Services, led by supervising sound editor Steven Ticknor, supervising sound editor and re-recording mixer Kevin O’Connell, re-recording mixer Greg Orloff and sound designer Tony Lamberti, was tasked with bringing the sonic elements of Priest’s world to life. That included everything from building intricate soundscapes for Atlanta’s neighborhoods and glitzy nightclubs to supplying the thunderous fireworks for gun battles and car chases.
In Columbia Pictures’ Jumanji: Welcome to the Jungle, the game has changed as four teenagers are sucked into the world of Jumanji. Director Jake Kasdan has introduced many clever twists to the action-adventure, and that created plenty of opportunities for the film’s sound crew to get creative with sound. All sound services were completed at Sony Pictures Post Production Services.
Sony Pictures Post Production Services assembled an all-star lineup of talent to create the sound in Columbia Pictures and Marvel Studios’ Spider-Man: Homecoming.
Sony Pictures Post Production Services has added a mix stage dedicated exclusively to IMAX. The new stage, which is equipped with a 24-fader Avid S6 mixing console, is the only dub stage on the West Coast that uses IMAX loudspeakers and meets specifications for mixing in its immersive IMAX 12.0 sound format. The room will be used to prepare 2D and 3D theatrical features and trailers for release to IMAX theaters worldwide.
Passengers, from director Morten Tyldum and Sony Pictures Entertainment, is a futuristic love story set on a mammoth spaceship carrying thousands of passengers, kept in sleep chambers, to a distant planet. For the sound team, based at Sony Pictures Post Production Services, and led by supervising sound editor/sound designer/re-recording mixer Will Files and re-recording mixer Kevin O’Connell, the space epic presented the interesting challenge of imagining the sound of the future.