Rooftop Films will host their first ever Gala on January 31 at Saint Bartholomew’s Church in Manhattan to raise funds for Rooftop’s vital community programs as well as celebrate two gifted, creative and fearless artists who have made a contribution to the art of filmmaking this past year: Kirsten Johnson (Cameraperson) and Taika Waititi (Hunt for the Wilderpeople).
Vancouver’s ConVRter Technologies is partnering with Conexion Creativa of Colombia to create Last Studio Standing, which they say will be the largest hand drawn studio in the Americas. The company is focusing on science fiction-based animated film and television productions including science based children's content. In addition, they will co-produce adult animation content that does not fall into the manga genre. The first film from Last Studio Standing is Tonya (almost) Saves the Earth, a sci-fi comedy to be released in the spring of 2017
Filmworkers, Nashville, provided editorial and post-production finishing services for Garth Brooks: Yankee Stadium Live, a two-hour concert special that recently debuted on AT&T’s Audience Network. Produced and directed by Jon Small, the special, which was captured, finished and broadcast in 4K and documents the superstar musician’s two sold out shows from last summer. It was the first ever concert for a country artist at Yankee Stadium, and Brooks’ first appearance in New York City in 19 years. Filmworkers’ Adam Little edited the show; colorist Jimmy Cadenas applied the final color grade.
The Society of Motion Picture and Television Engineers today announced final approval of its nomination of Andy Maltz as 2018-2020 chair of ISO/TC 36, the International Organization for Standardization group dedicated to cinematography. Maltz, who is managing director of the Academy of Motion Picture Arts and Sciences' Science and Technology Council, will serve as chair-elect in 2017 as SMPTE member Julian Pinn, the current chair, serves out his term after nine years in the ro
Ymagis Group today announced the EclairColor release of Liongate’s La La Land, which opens in cinemas across France January 25. Distributed by SND - M6 Group and directed by Damien Chazelle, La La Land, starring Ryan Gosling and Emma Stone, will be available exclusively in EclairColor in the following cinemas: Gaumont Champs-Elysées (Paris, 8th arrondissement), Pathé Wepler (Paris, 18th arrondissement), Les Confluences (Varenne-sur-Seine) and Le Sirius (Le Havre).
Two–time Oscar-winning filmmaker, director, producer, animator and writer Brad Bird, whose films, including Ratatouille and The Incredibles, have consistently reflected the highest quality of production design, will receive the prestigious Cinematic Imagery Award from the Art Directors Guild at its 21st Annual Art Directors Guild's Excellence in Production Design Awards. ADG council chair Marcia Hinds and awards producers Thomas Wilkins and Thomas Walsh made the announcement.
Wim Buyens, senior vice president and general manager of Barco’s Entertainment division, has been appointed as chairman of the executive committee and board of governors of the Advanced Imaging Society. Buyens joined the society in 2014 and has been serving as vice-chairman since 2015.
Production is underway in Oklahoma on the animated feature film The Woman at Jacob’s Well, from producer Jason Behrman of Highway 9. The film is taking advantage of the Oklahoma Film Enhancement Rebate Program, administered by OF+MO.
Arts Alliance Media is providing theatre management system software and support to the 2017 Sundance Film Festival. For the duration of the Festival, running in Park City, Salt Lake City and at Sundance Mountain Resort, Utah, from January 19-29, Sundance Institute will deploy AAM’s Screenwriter TMS at six Sundance Film Festival screening locations, where it will enable staff to schedule content and monitor all screens from one easy to use interface.
When cinematographer Johan-Fredrik Bødtker, FNF was selected to shoot the forthcoming Norwegian drama series, Valkyrien, he knew what look he wanted. “I wanted the series to feel clean and contemporary but move away from the typical Nordic noir look. It was also very important to me that we could capture the details and mood on all of the different sets, especially the dark and dirty ones,” said Bødtker. “I needed a glass that was sharp, but not too sharp, that would have the right fall off and bokeh, and that would not flare or ghost as soon as the camera was pointed at a light source.”
