Writer-director John Michael McDonagh and cinematographer Larry Smith, ASC, BSC faced a race against time in the face of a threatening global pandemic to capture the vibrant colors and contrasting scenes of the Moroccan landscape for the feature film The Forgiven, starring Jessica Chastain, Ralph Fiennes, and Matt Smith.
Cooke Anamorphic/i lenses
Writer/director Adrian Bol’s Legacy of Lies, starring Scott Adkins, is a spy action/thriller/drama about an ex-MI6 agent who is thrown back into the world of espionage and high stakes uncovering the shocking truth about operations conducted by unknown secret services. With a budget of $4.5 million, the goal was for Legacy of Lies to have a big blockbuster look and feel.
When it came time start work on the long-anticipated TV adaptation of Eleanor Catton's Man Booker prize-winning novel, The Luminaries, the filmmakers knew that one of their biggest challenges was to recreate the universe portrayed in the book. Produced by the BBC, Working Title Television and Southern Light Films and adapted for the screen by Catton herself, the six-part mini-series tells an epic story of love, murder and revenge, as men and women travelled across the world to make their fortunes on New Zealand’s South Island in the boom years of the 1860s gold rush.
The Netflix series GLOW, which launched its 10-episode third season in August 2019, brings the Gorgeous Ladies of Wrestling to Las Vegas and the fictitious Fan-Tan Hotel and Casino. The production captures the personal and professional lives of a group of women who perform for a wrestling organization that started in Los Angeles but now find themselves in glitzy Las Vegas during the 1980s. Cinematographer Chris Teague met with show creators, executive producers and episode writers Liz Flahive and Carly Mensch to pitch his ideas for the new look of GLOW for its new Las Vegas setting, which is where they realized that everyone was on the same page.
The Netflix Film The Perfection, which was shot by cinematographer Vanja Černjul, ASC (The Deuce, Crazy Rich Asians), directed by Richard Shepard (The Matador, Dom Hemingway, Girls), and written by Eric C. Charmelo, Nicole Snyder, and Richard Shepard, follows the story of a troubled musical prodigy who seeks out the new star pupil of her former school with shocking consequences.
Two visual effects-heavy commercial spots for Disney highlighting the latest Star Wars toys and merchandise benefited from play to the firing of children’s imagination: Choose Your Path focuses on The Last Jedi merchandise, featuring three children playing in an attic bedroom; a boy puts down a Kylo Ren toy, which then comes to life to fight Lego starships, while two of the children duck as a ship speeds past them on the red salt flats of Crait – which then seamlessly turn back into the bedroom with a classic Star Wars wipe. Galaxy Of Adventures features the original Star Wars trilogy and Solo: A Star Wars Story, with more children playing in an attic room, interacting with the toys and merchandise in a series of tableaux reminiscent of scenes from the films.
Regardless of budget, every director and cinematographer wants their film to look its best. That was no different with Blood Runs Thick, a low budget, indie horror feature from director Romane Simon and shot by Los Angeles-based Nik Shaw.
The third and final series of ITV’s acclaimed TV crime drama Broadchurch was shot using Cooke Anamorphic/i lenses by cinematographer Carlos Catalan. The unusual decision to shoot a TV drama anamorphically was taken to make the most of the wide vistas of the coastal setting, and to bring a cinematic look to the story.
When cinematographer Johan-Fredrik Bødtker, FNF was selected to shoot the forthcoming Norwegian drama series, Valkyrien, he knew what look he wanted. “I wanted the series to feel clean and contemporary but move away from the typical Nordic noir look. It was also very important to me that we could capture the details and mood on all of the different sets, especially the dark and dirty ones,” said Bødtker. “I needed a glass that was sharp, but not too sharp, that would have the right fall off and bokeh, and that would not flare or ghost as soon as the camera was pointed at a light source.”
Red Dog: True Blue is the iconic Australian story of friendship and adventure between a young boy and a scrappy one-of-a-kind dog that would grow up to become an Australian legend. The film is the prequel to 2011's Red Dog. Both films were directed by Kriv Stenders, written by Daniel Taplitz, and photographed by Geoffrey Hall. The film features wide desert vistas of Western Australia. It was shot full 2.40 anamorphic using an Alexa XT with a Cooke Anamorphic/i lens package from boutique rental house HyperFocal of Sydney.