Production & Post-Production

Fraser Relied on Outsight for Rogue One

Fri, 02/10/2017 - 13:03 -- Nick Dager

Award-winning cinematographer Greig Fraser, ASC, ACS, relied on the Creamsource Sky, a water resistant five-color 1200W LED light system from Outsight for Lucasfilm’s Rogue One: A Star Wars Story. “Creamsource Sky is just so flexible and renders colors amazingly,” said Fraser. “I am obsessed with the technical, and Creamsource Sky produces really great skin tones. That can be a benefit and a curse when having to mix Sky with lights from other manufacturers, so I use a single brand of lighting for each source — one for skylight, one for a window, and another for facial lighting.”

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Outsight Creamsource Sky 1200W LED light system

Cooke Optics Expands to Meet Demand

Fri, 02/10/2017 - 12:51 -- Nick Dager

Cooke Optics has confirmed that it is planning to open a second factory less than two miles from its current Leicester, England premises in order to keep up with growing demand for its award-winning lenses, as well as to facilitate the development and manufacture of new ranges. The new facility, scheduled to open in June, is expected to increase output by 25 percent.

Tarde Para La Ira Named Best Film

Thu, 02/09/2017 - 12:44 -- Nick Dager

The thriller Fury of a Patient Man (Tarde Para La Ira) won a plethora of awards at Spain’s Goya Awards, including the award for Best Film. The film, directed by newcomer Raul Arevalo and starring Antonio de la Torre, Luis Callejo, Ruth Diaz and Raul Jimenez, was finished at Madrid post-production facility Free Your Mind, which carried out the conforming, color grading and finishing using an SGO Mistika.

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SGO Mistika

Online Documentary Shoots 4K

Thu, 02/09/2017 - 12:30 -- Nick Dager

Content studio Malka Media of Hoboken, New Jersey is currently shooting a documentary series for release online about Jersey City, New Jersey’s St. Anthony High School and its legendary basketball coach, Bob Hurley with VariCam LT 4K cinema camcorders. Louis Krubich, Malka Media CEO and series director said that when longtime client Showtime approached him about the St. Anthony story, he and his staff directors of photography agreed that the VariCam LT would be a great choice for this sports documentary, largely because of its 4K acquisition and dual-native 800/5000s.

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Panasonic VariCam LT camera

RodeoFX Contributed Arrival VFX Shots

Wed, 02/08/2017 - 12:42 -- Nick Dager

Montreal’s Rodeo FX completed 60 visual effects shots for Arrival, the alien visitation movie from acclaimed director Denis Villeneuve (Sicario, Prisoners, Enemy). Working once again with VFX supervisor Louis Morin, the studio helped create a gravity shift sequence, multiple aircrafts, digital doubles of actors and the scene when they entered the alien shift.

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RodeoFX

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