California-based Legend3D has been chosen by The Coca-Cola Company and advertising agency Ogilvy & Mather Paris to convert the Liquid Dream Coke Zero spot into 3D.
Production & Post-Production
Katabatic Digital founder Emery Wells, recently finished a number of digital shorts and parodies for Saturday Night Live using Bluefish444’s Epoch 2K Horizon as HD-SDI output within Assimilate Scratch.
The Society of Motion Picture and Television Engineers has extended the call for papers deadline to July 19 for the SMPTE 2013 Annual Technical Conference & Exhibition, October 22-24 in Hollywood, California.
PipelineFX has announced that twice a year, all PipelineFX education customers on subscription can double their current license capacity at no additional charge, with the company’s new Education Burst License program.
The Vermont College of Fine Arts has announced the creation of the Independent Filmmaker Production Grant, a thesis completion fellowship for students of the new MFA in Film degree program during their final year of study.
Recognized with an Academy Award for Hugo and an Emmy Award for the second season of Game of Thrones, visual effects house Pixomondo recently created nearly 300 shots for J.J. Abrams' epic Star Trek Into Darkness.
Modus FX completed many of the key visual effects shots on Now You See Me.
When former photojournalist, director of photography Erik Naso was asked by his TV station to create new promos for the station he wanted each spot to have a cinematic quality that differed from the station’s regularly aired ENG-style videos.
Hollywood Center Studios has forged a new alliance with shooting and visual effects company Engine Room, headquartered on the HCS Lot.
Colorflow recently provided color grading and other post-production services for Electric Ascension, a full-length concert film documenting the Rova Saxophone Quartet’s remarkable reimagining of John Coltrane’s legendary 1965 free jazz recording Ascension.