Panavision

Created by showrunner Abe Sylvia, the Apple TV+ comedic drama Palm Royale navigates the tale of one woman's ambitious journey to make it among the upper crust, through extravagant settings that evoke the golden era of Life magazine. Cinematographer David Lanzenberg was behind the camera for the first two episodes, working with director Tate Taylor, and then passed the baton to fellow director of photography Todd McMullen, who shot the remaining eight episodes. With support from Panavision Woodland Hills, the cinematographers opted to pair Panaspeed large-format spherical primes with the Millennium DXL2 camera. Here, the collaborators highlight how the series’ visual language was distinctly enhanced by the choices made by the art, wardrobe, and hair & make-up departments.

To make a movie based on one of world’s most famous toy brands is to venture into a particularly public arena, where everyone has at least a passing familiarity and expects a certain recognizability. In bringing Barbie to the big screen, director Greta Gerwig and cinematographer Rodrigo Prieto, ASC, AMC therefore had to find the right balance between the authentic and the inventive. Working with an inspired script by Gerwig and Noah Baumbach, larger-than-life production design by Sarah Greenwood, and Panavision System 65 large-format spherical optics, Prieto helped realize a world that’s been welcomed by fans and newcomers alike, inviting one and all to participate in the fun and share in the joy. Gerwig has called the look of the film “authentic artificiality.” Here, Pietro speaks about his experiences in Barbieland and beyond.

Director David Cronenberg’s 1988 horror film Dead Ringers, about twin OBGYNs whose penchant for tricking others threatens to shatter their own psyches, has received a sibling of its own with the six-episode Amazon miniseries of the same name. Starring Rachel Weisz as twins Beverly and Elliot Mantle, the show tracks a similar descent into madness, but one that’s carefully distinguished as a complement to its predecessor. All throughout the series, the color red plays a key role.

Short-form streaming-video platform Quibi provides premium content specifically designed for consumption on a mobile device. This presented the production of its first scripted show, Dummy, with a unique set of creative and workflow issues. In addition to the standard 16:9 aspect ratio, director of photography Catherine Goldschmidt had to create visuals for a vertically oriented 9:16 presentation.