Nugen Audio Halo Upmix

A Biting Score

Thu, 10/08/2020 - 09:26 -- Nick Dager

Set in modern-day Brisbane, Australia, Bite Club follows a young werewolf, Adron, on his search for his missing brother in a world where supernatural beings hide in the shadows. Tapped as composer, producer and sound designer for the film, Dana James Presson knew he wanted to create an explosive theatrical presentation.

Remixing Midsommar

Mon, 05/04/2020 - 09:37 -- Nick Dager

As one of the industry’s most respected audiophiles, award-winning re-recording mixer, sound editor and sound designer Ruy Garcia is passionate about using only the best audio equipment for his craft. Among his most recent credits was the surround mix for the Netflix release of 2019’s Midsommar.

The Unnerving Suspense of Sound

Tue, 10/30/2018 - 14:53 -- Nick Dager

Jonathan Wales, mixing at Formosa NoHo, recently completed the audio mix for the Netflix series, The Haunting of Hill House. The Haunting of Hill House was mixed in Dolby Atmos. For the show, Wales needed to convey the feeling of spaciousness in the house and create unnerving suspense throughout the mix as a family relives their scary past.

Mixing T2 Trainspotting

Wed, 04/26/2017 - 12:30 -- Nick Dager

Acclaimed sound designer and re-recording mixer Niv Adiri has chosen Nugen Audio’s Halo Upmix to create surround 5.1 versions of the music and sound effects on a wide range of cinema projects. Adiri most recently used Halo Upmix on the current film T2 Trainspotting. With Halo Upmix, he was able to work from stereo source tracks to deliver a 5.1 mix that was true to the original sound of the music, but also sounded ideal in a range of surround listening environments.

Scott Gershin Relies on Nugen Audio

Tue, 11/29/2016 - 12:41 -- Nick Dager

Acclaimed sound designer and feature film supervising sound editor Scott Gershin recently joined Technicolor as its director of sound editorial, where he leads the company's expansion into sound design for gaming and immersive experiences and also continues to design and supervise sound for films. He relies on Nugen Audio's Loudness Toolkit 2 and Halo Upmix plug-ins.

Speaking with Sound Designer Scott Gershin

Wed, 09/07/2016 - 12:59 -- Nick Dager

Renowned sound designer and feature film supervising sound editor Scott Gershin has worked on more than100 films and received 26 industry nominations, including a BAFTA Award for his work on American Beauty, Guillermo del Toro’s Pacific Rim, and Dan Gilroy’s Nightcrawler. He brings theatrical sound quality standards to bear on a wide range of consumer experiences, from apps and software, to blockbuster gaming titles like Resident Evil, Gears of War, Fable, and most recently id Software’s Doom. Gershin recently joined Technicolor as its director of sound editorial, where he leads the company’s expansion into sound design for gaming and immersive experiences and also continues to design and supervise sound for films. Digital Cinema Report recently spoke with Gershin about his career, the transformative role of technology in his work, and the tools he can’t do without for current projects.

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