The new feature film Mid90s, which marks the directorial debut of Jonah Hill, tells the coming-of-age story of Stevie, a 13-year-old Los Angeles boy who seeks escape from troubles at home in the company of the friends he meets in a local skate shop. Post-production finishing for the film was completed at Technicolor PostWorks New York where colorist Alex Bickel worked directly with Hill and cinematographer Christopher Blauvelt to recreate the sun-washed look of 1990s Southern California and the taut emotional landscape of Stevie’s world
Technicolor PostWorks New York
Technicolor PostWorks New York and Prasad Corporation have formed a strategic partnership to provide full-service film scanning and digital restoration services in 8mm, Super8, 16mm, 35mm, 65mm, 2K, and 4K for archival preservation purposes for classic independent films readying for re-release.
Tower 3, a new documentary short from Irish filmmaker and artist Marcus Robinson, commemorates the massive construction project behind the latest addition to New York’s World Trade Center site, an 80-story structure that is now the city’s fifth largest building. Commissioned by Silverstein Properties for ribbon-cutting ceremonies marking the building’s completion, the five-minute film was produced by Robinson with technical and creative assistance from Technicolor PostWorks New York.
Released this month by IFC Films, Band Aid marks the directorial debut of Zoe Lister-Jones, best known for her acting roles on Life in Pieces and New Girl. The film has been earning rave reviews for its engaging story of a couple who turn to songwriting to work out their marital difficulties. It has also generated lots of buzz for Lister-Jones’s unique decision to employ women in all key production and post-production crew positions.
Writer-director Nicolas Pesce’s debut feature, The Eyes of My Mother was finished at Technicolor PostWorks New York. The film is packed with heart-pounding moments, made all the more chilling by an artfully crafted black and white look captured by cinematographer Zach Kuperstein (also making his feature debut) and finished by colorist Sam Daley
Created by former 60 Minutes producers Joel Bach and David Gelber, the National Geographic Channel’s documentary series Years of Living Dangerously won a 2014 Emmy Award for Outstanding Documentary or Nonfiction Series. The series has earned wide praise for its thought-provoking stories on the human and environmental costs of climate change. It is also notable for its outstanding production value from the epic imagery captured by production teams operating around the globe to the detailed color treatments applied during post.
Soundbreaking: Stories from the Cutting Edge of Recorded Music provides a fascinating portrait of the melding of art and technology in the development of popular music. The eight-part PBS documentary finished at Technicolor PostWorks New York. Produced by Show of Force and directed by Maro Chermayeff and Jeff Dupre, the series reaches back to the 1920s, when music was first committed to vinyl, but focuses in particular on the period from the 1960s to the present and the revolution that was set in motion by the late Sir George Martin and the Beatles through their innovative use of multi-tracking.
Post work for director Rebecca Miller’s new romantic comedy Maggie’s Plan, currently in wide release from Sony Pictures Classics, was a labor of love for Technicolor PostWorks New York. A long-time supporter of independent film, the facility furnished suites and systems to picture editor Sabine Hoffman and her crew. It also provided resources for dailies processing, editorial finishing, color grading, sound mixing and deliverables. The project involved months of concentrated effort, spanning pre-production through the film’s world premiere at the Toronto International Film Festival.
A Girl in the River: The Price of Forgiveness, winner of this year’s Academy Award for Best Documentary, Short Subject, recently made its world premiere on HBO. Directed by Sharmeen Obaid-Chinoy (who also won an Oscar in 2012 of Saving Face) and edited by Geof Bartz, A.C.E., the 40-minute film went through editorial conforming, final color grading and preparation for broadcast at Technicolor PostWorks New York.
Technicolor PostWorks has agreed to lease 50,000-plus square feet at 1411 Broadway, a 40-story tower in Midtown Manhattan. The lease term extends beyond 2026. The new facility, set to open early this summer, will house 120-plus editing rooms available to film and television productions for rental on long- or short-term bases. The facility will be directly linked with the company’s existing downtown finishing and sound facility network.