Aiming to tap the current boom in film and television production, Signature Post, a fully immersive sound editorial and mixing facility, has launched in Burbank, California. Built by Kaiser Comm Construction, the all-new facility features three Dolby Atmos-certified mix stages and an automated dialogue replacement production stage and will cater to high-end feature and television projects.
The riveting crime drama Godfather of Harlem has earned critical praise and popular success for its unflinching portrait of 1960s Harlem under the sway of competing criminal gangs. A big part of the show’s uncanny realism derives from its soundtrack, edited and mixed at Goldcrest Post, which blends the idiosyncratic dialogue of Italian and African-American mobsters with meticulously-detailed New York City soundscapes and an absorbing blend of period and contemporary music.
James Longeretta, owner of post-production systems provider Vortechs, has teamed with veteran supervising sound editor/re-recording mixer Joe Schultz (Once Upon a Time, Lost, Amazing Stories for Apple TV) to launch Waterman Sound. The facility offers sound editorial, sound design, mixing, and automated dialogue replacement from its newly built studio in Toluca Lake, California. The company has hired ADR mixer Marilyn Morris (Captain Marvel, Miss Sloane), formerly of Skywalker Sound and Dubbing Brothers, to helm its ADR stage
Established in 1994 by composer, sound designer and dialogue director Rob King, Green Street Studios has accumulated more than 20 years of experience in audio and music production for video games, film, music and other media. Anticipating the growing acceptance of immersive-sound projects for games, film and television, King spent much of the last two years auditioning speakers for the 7.1.4 array he knew would become the standard in the emerging immersive media environment.
Sim, which recently completed a major expansion of its post-production facility in New York City, has seven new rooms there, four that accommodate audio. All four new audio rooms and a central machine room are linked using a network employing components from Focusrite’s RedNet range of Dante-networked audio converters and interfaces. There are now three broadcast audio 5.1-surround mix suites, one with Dolby Atmos capability, and an ADR/VO recording studio, which can accommodate as many as five actors.
San Francisco’s One Union Recording Studios has received certification from Dolby Laboratories to provide sound mixing services in Dolby Atmos. The certification applies to One Union’s Studio Four and includes a Dolby Laboratories wall plaque signifying that the space conforms to technical specifications consistent with the immersive sound format.
The Climb, director Michael Angelo Covino’s engaging debut feature, centers on the complex friendship between two men, Michael and Kyle, played by Covino and real-life friend Kyle Martin. For its Foley team from Alchemy Post Sound (working under supervising sound editor/re-recording mixer Ryan Billia), The Climb posed unique creative and technical challenges. Its first act centers on a bike ride that Michael and Kyle take in France prior to Kyle’s wedding. As the two men ascend a long hill, Michael makes a stunning admission regarding his friend’s fiancé. The results are disastrous with the men ultimately becoming involved in a violent confrontation with a passing motorist. Adding to the tension, the whole scene is captured in a single, intricately choreographed Steadicam shot.
For the past 30 years, award-winning re-recording mixer Joe Barnett has worked on a wide variety of high-profile projects including American History X, Austin Powers: The Spy Who Shagged Me, Crazy Heart, When in Rome, Chronicle, 2 Guns, Luke Cage, Daredevil and The OA. Among Barnett’s most recent credits is the Netflix hit Iron Fist. Barnett says Nugen Audio is integrated into every one of his surround projects.
Award-winning sound pros Rick Ash and Ron Eng have joined the sound team at Periscope Post & Audio, Hollywood. Ash and Eng will be the lead sound talent at Periscope Post & Audio’s Hollywood facility, which launched last month. The sound department features a theatrical mix stage with an Avid S6 digital console, Pro Tools and Dolby Atmos capability, as well as three additional mix stages also featuring Avid S6 consoles, Pro Tools and Dolby Atmos.
DPA’s 6066 Subminiature Headset Microphone was a winner in the Product Design category at the Red Dot Awards, which were held this week at the Aalto-Theatre in Essen, Germany. DPA Microphones’ project lead Rune Møller and research and development manager Ole Moesmann accepted the award for the company.