Allison Casey is the owner and senior mixer of Gramercy Post in New York City. She first began working there as an intern in 2008, when she was just 22. While she later switched to freelancing, she continued to keep a close relationship with the company and its founder, Joe Mendelson. Toward the end of 2012, Mendelson decided to retire from sound and sell Gramercy to her. She says that since he’d been able to train her from the ground up and knew they had similarly intense work ethics, she thinks he knew his studio would be in good hands. In the wake of this week’s celebration of International Women’s Day, I spoke with Casey about her career, about how far women and other minority groups have advanced in production and post-production, and how far they have to go to reach full equality in the industry.
Simon Hill, senior dubbing mixer at Halo Post in London, has worked on some of the biggest dramas for television and streaming outlets. Included among these is Bulletproof, which airs on Sky One in the UK and CW in the U.S., as well as the British film, Ghost Stories. With audiences craving more and more content, post houses must turn out projects at increasing speeds.
For more than three decades, Warner Bros. re-recording mixer Jonathan Wales has created audio magic for numerous feature films, documentaries and television shows. Two recent projects were the Warner Bros. movie Doctor Sleep and the Netflix series 13 Reasons Why. As content creation and technical specifications change, Wales finds himself having to adapt to newer audio compliance standards across a variety of platforms.
Discovery Network’s Journey to the Future, produced by Storied Media, is a documentary focused on the behind-the-scenes lead-up to America’s historic SpaceX Falcon 9 launch. Several packages were also produced for use throughout the live broadcasts. Among the professionals who worked tirelessly on these projects was re-recording mixer Michael Phillips Keeley, CAS, who helped create the soundscape.
Ana Monte, lead sound designer and Daniel Deboy, lead sound engineer founded Delta Soundworks in Heidelberg, Germany in 2016. The company is a 3D/immersive audio post-production facility with projects that span across installations, virtual reality, 360-degree films and gaming, as well as feature films, documentaries, TV shows and commercials. Their team consists of a highly skilled and creative group of production sound mixers, recording engineers, sound designers, Foley artists, composers and music producers. Digital Cinema Report recently spoke with Monte and Deboy about their business and some very interesting projects.
“Mixers are artists, and I am a firm believer in the creative process,” says re-recording mixer Binder. “In the post-production audio business, we get looked at as technicians instead of artists. I believe that George Lucas was right when he said, ‘sound and music are 50 percent of the entertainment in a movie.’ ” Binder should know. He’s worked with some of the most notable names in the TV and film industry, including the Russo brothers, J.J. Abrams and Mark Mangini. His resumé also boasts a variety of high-profile projects such as Star Trek, Paranormal Activity, Community, Channel Zero, Deadly Class and Super 8.