At a time when it is critical for the media and entertainment industry to have access to reliable and effective remote workflow solutions, Deluxe has been recognized for its remote audio cloud recording tool, One Dub a module of the Deluxe One platform. The technology received two 2020 NAB Show Product of the Year Awards, one for Audio Production, Process and Networking and another for Remote Production. The winners were announced October 20 during the awards ceremony, which took place in the NAB Show New York digital experience.
Set in modern-day Brisbane, Australia, Bite Club follows a young werewolf, Adron, on his search for his missing brother in a world where supernatural beings hide in the shadows. Tapped as composer, producer and sound designer for the film, Dana James Presson knew he wanted to create an explosive theatrical presentation.
Undeterred by this year’s COVID-19 health challenges, Éclair Versioning & Accessibility has added a new state-of-the-art recording room to the Vanves’ facility as part of a wider reorganization of its Parisian studios, which included changes and upgrades to a number of its recording studios. The company has also opened a new dubbing facility in Barcelona.
Like many of his colleagues in the sound production industry, Scott Harber began his audio career as a musician, more specifically as a member of a San Diego punk rock band. Over the course of his nearly 30-year career, Harber has worked on leading TV and film productions, including Borat, Noctunal Animals, Get Smart, Hell’s Kitchen, Gangster Squad, Wilfred and Castle, to name a few. He also owns Dang Me Sound, a production sound company based in Los Angeles. I recently spoke with Harber about some of the highlights his long career and the challenges of production sound.
Production sound mixer Ben Nimkin has worked on a long list of compelling documentaries including Fyre Fraud; Rest in Power: The Trayvon Martin Story; States of Undress; Gaycation and more. With a specialty for investigative documentaries, Nimkin is no stranger to capturing highly emotional conversations and working in extreme environments. Experience has taught him – sometimes the hard way – that in documentary work you usually have just one chance to get the sound right.
Recording, editing, mixing and mastering engineer Ayako Yamauchi has found that turnaround speed is crucial to many of her film and television projects. Having won multiple awards for her audio post-production work, Yamauchi’s credits are filled with some of the world’s leading video games. Included among these are Uncharted: The Lost Legacy, God of War and Sekiro: The Shadow Dies Twice.
DPA’s new 4097 Core Micro Shotgun Microphone is being widely adapted into the television and film production world as a plant mic solution. Featuring the same sonic qualities as the brand’s supercardioid 4097 Core Choir Microphone, the compact 4097 Core Micro Shotgun has been optimized to pick up speech from a distance.
Called “one of the most prescient films of the decade,” She Dies Tomorrow from Neon and writer/director Amy Seimetz, centers on a woman who believes she is about to die from a mysterious illness that is also highly contagious. The psychological thriller, which recently went through sound and picture finishing at Goldcrest Post in New York, delves into universal feelings of anxiety and dread through a story that blends horror, humor, drama and the surreal. Seimetz used sound to convey the feeling of fear.
NASA’s Mars 2020 Rover Perseverance, which launched last week, is scheduled to touch down on the Red Planet next February. When it lands, the spacecraft will have the capability to capture imagery and sound as the vehicle descends through the Martian atmosphere and lands on the surface of Mars. To capture sounds from the Red Planet for the first time ever, the Mars 2020 Rover will be outfitted with equipment from DPA Microphones.
Though the numbers are certainly on an upward trend, it’s still rare to find women in professional audio, especially one as prominent as Sara Glaser, CAS. Having gotten her start in the industry in college as a recording engineer nearly 20 years ago, Glaser’s major successes can be found in her work as a production sound mixer for feature films and episodic television. Some of her most recent credits include Westworld, Grey’s Anatomy, Feud: Bette and Joan and the Netflix feature film, Rim of the World.