Though the numbers are certainly on an upward trend, it’s still rare to find women in professional audio, especially one as prominent as Sara Glaser, CAS. Having gotten her start in the industry in college as a recording engineer nearly 20 years ago, Glaser’s major successes can be found in her work as a production sound mixer for feature films and episodic television. Some of her most recent credits include Westworld, Grey’s Anatomy, Feud: Bette and Joan and the Netflix feature film, Rim of the World.
For more than 10 years, production sound mixer and location sound recordist, David Thirion, has been using DPA microphones to capture audio for film and television projects. Their audio quality and natural sound was a key reason for his choice, but equally important was the tiny size of some models, which makes them ideal for situations where they need to be hidden on actors’ bodies or in costumes.
With a unique improvisational acting style at the heart of the Netflix original film, Paddleton, capturing audio was of paramount concern for sound supervisor Daniel S. McCoy CAS, owner and operator of ToneMesa, Inc. “Sometimes, the team would go off to unplanned locations and I’d have to be ready to follow immediately,” says McCoy.