The sixth and final Emmy award winning series of The Americans, a period spy thriller set in the 1980s during the Cold War, was recently finished in high dynamic range and 4K Ultra HD at Technicolor PostWorks in New York. Since series two, the look of the finished series has been the responsibility of John Crowley, Senior Digital Colorist, working on the Baselight color grading system from FilmLight.
High Dynamic Range
At CinemaCon earlier this year Samsung formally introduced its Onyx LED cinema screen and immediately questions were raised about sound. Many people questioned how good could the sound be without loudspeakers centered behind the screen?
EclairColor has certified French integrator Audio Visual and Development Enterprise. ADDE’s technical department completed its EclairColor high dynamic range certification last week, which in return allows the company to sell, install and service EclairColor-compatible projection systems.
Ymagis Group and Webedia have announced a partnership to promote EclairColor HDR cinemas and mastered films on AlloCiné (France) and Filmstarts (Germany). The companies’ two websites attract respectively 13.8 million and 3.1 million unique visitors per month.
European cinema exhibitor services provider CinemaNext today announced that it has completed the installation of three new auditoria at France’s National Center of Cinematography and Moving Image headquarters in Paris. The CNC’s brand-new site has been equipped with the latest in image technology including EclairColor high dynamic range, 3D-capable Sony Digital Cinema 4K projectors, and Twavox for audio description and hearing support.
Éclair today announced that, starting in November, it will install a Samsung Onyx Cinema LED screen in its facilities in Paris-Vanves. This will make Éclair one of the first to provide professional services specifically tailored for the Onyx Cinema LED – contrast ratio of 1,000,000:1, color grading with true zero nit black, and ÉclairColor DCP mastering – to European filmmakers, producers and distributors.
The way it’s supposed to work, a cinema should be able to acquire DCI Compliant equipment with the assurance that first release movies would not be withheld for reason of having the wrong gear. With the recent release of its DCI Memorandum Regarding Direct View Displays, it is no longer clear where DCI is heading.
Sony has unveiled a new 31-inch Grade 1 reference monitor, the BVM-HX310, that offers accurate color reproduction and high-contrast performance to provide professional content creators enhanced flexibility and precision for critical picture grading decisions. It is also fully capable of reproducing 4K and high dynamic range content, supports industry standard brightness of up to 1,000 nits in full-screen and a 1,000,000:1 contrast ratio for HDR productions. The launch of the new reference monitor also marks the introduction of Sony’s new technology brand TriMaster HX.
The first Digital Cinema Summit, presented by Digital Cinema Report in conjunction with Integrated Systems Europe, will be held February 6, 2019 at the Okura Hotel in Amsterdam the Netherlands. The half-day event will highlight how advances in digital cinema technology are transforming the entire moviegoing experience. It will feature top digital cinema technology authorities from around the world addressing a range of issues facing professionals in all phases of the motion picture industry. The purpose of the event is to give digital cinema technology center stage.
To commemorate the 25th anniversary release of Steven Spielberg's masterpiece Schindler's List, one of the most significant endeavors in the history of cinema, Universal Pictures will re-release the film with picture and sound digitally remastered—including in 4K, Dolby Cinema and Dolby Atmos—for a limited theatrical engagement on December 7, 2018, in theaters across the United States and Canada.