Samsung has selected footage captured with Arri Alexa cameras to showcase their Onyx 4K cinema LED displays. By using an array of modular LED panels to replace cinema projectors, the Samsung Cinema LED displays offer a completely new format of a cinema screen to enhance movie experiences. The technology displays Ultra Contrast with true blacks, high dynamic range and P3 color with supreme accuracy.
High Dynamic Range
James Cameron’s Lightstorm Entertainment will use Sony’s new Venice motion picture camera system for principal photography on the upcoming Avatar sequels. The first Avatar movie, released in 2009 and also shot on Sony professional cameras, shattered box office records with its compelling story, immersive 3D and stunning visuals. These newest entries in the franchise promise to up the visual ante significantly with enhanced special effects, more elaborate production requirements and challenging live action sequences.
To help colorists, cinematographers and the wider production and post industry understand the opportunities and challenges that high dynamic range and new delivery formats bring, FilmLight is taking intensive and specialist master classes on a world tour. Dates are already set for London (May 15), Mumbai (May 16), Hollywood (June 4) and Seoul (June 7), with more to be added.
Ymagis Group has introduced hybrid tone mapping technology, which enables the optimized storage of two or more versions – standard dynamic range and high dynamic range – of the same feature film in a single SMPTE-compliant digital cinema package.
Arena Cinemas’ Sihlcity in Switzerland today became the first theatre in the world to install a Samsung 3D Cinema LED Screen. Imaculix designed and installed the screen.
Screen actors convey emotion in several ways: their voices, their eyes and the subtle color changes of their facial skin. But what if – as in the case of Gary Oldman’s Oscar-winning performance in Darkest Hour – much of their face is covered in silicone? That was one of the key questions Peter Doyle, supervising colorist at Technicolor, addressed when he collaborated on the film’s palette.
Samsung unveiled the world’s first 3D Cinema LED screen this week at the Integrated Systems Europe trade show in Amsterdam.
Panavision has introduced the Millenium DXL2 8K camera, which the company says is the heart of a complete imaging ecosystem designed from filmmakers’ perspectives. The new camera incorporates Panavision’s optics and camera architecture, the Red Monstro 8K VV sensor, and Light Iron color2 science (LiColor2).
Arri today unveiled the Alexa LF camera, which is based on a large-format 4K version of the Alexa sensor. The new camera is part of a system that also includes, Arri Signature Prime lenses, LPL lens mount, and PL-to-LPL adapter. It is also compatible with existing lenses, accessories, and workflows.
Sony’s next-generation CineAlta motion picture camera Venice begins shipping to customers this month. As previously announced, version 1.0 features in Venice will include support for full-frame 24x36mm recording.