MTI Film’s workflow software Cortex v5.2 has been officially certified to support Dolby Vision Content Mapping v4. Cortex can be used to apply Dolby Vision Content Mapping algorithms (v2 and v4) in preparing Dolby Vision interoperable master format packages, and when importing, exporting or modifying Dolby Vision XML and MXF files.
High Dynamic Range
The production of the feature film Brittany Runs a Marathon presented several challenges. The directorial debut of Paul Downs Colaizzo, the film was shot by cinematographer Séamus Tierney, who came to the project late. That was just one of the reasons he was grateful to have the Panavision family of services to back him up, including camera support and Light Iron post-production.
The Hollywood Section of SMPTE will explore the advent of wide color gamut and its impact on motion picture and television production at its monthly meeting September 25 at the Academy of Motion Picture Arts and Sciences, Los Angeles.
European cinema exhibitor services provider CinemaNext, today announced the completion of its first fourth generation laser-powered 4K RGB projection system installation at the Neocine cinema in the Thader shopping mall in Murcia, Spain. The SP4K-25 Barco projector with Alchemy server setup at Neocine marks a European first by CinemaNext and its Valencia-based services center since Cinionic began selling the new Barco series 4 platform in April.
The Chinese action film The Bravest was released at 48 frames per second on Pixelworks’ TrueCut platform. This is the fourth film to be released in high frame rate in China using the TrueCut platform, and a look into the cinematic opportunities to come for filmmakers using this video platform.
MTI Film, maker of the Cortex family of set-to-screen workflow software, has just been awarded U.S. Patent 10,349,097 for its Graphical Editing Solution for High Dynamic Range Metadata. The software tool provides a simple way to ensure that HDR metadata is properly aligned with associated HDR video. It saves time and eliminates errors in preparing feature film and television content for delivery in formats including Dolby Vision HDR.
Odeon Cinemas Group is adding new Dolby Cinema auditoriums at two locations: Odeon Manchester Trafford Centre and Odeon Luxe Birmingham Broadway Plaza.
Samsung has announced four new locations to be opened in Europe, two in Spain, one in Ireland and one in Romania. Two screens will be installed at Odeon Multicines in Spain. The company’s Plaza de Armas, Seville location will be the first to open in September with a 10-meter screen, followed by the CC San Vicente, Alicante location with an Onyx 14 meter, opening by October. This will be the first 14 meter screen installed in Europe. Both installations will be completed by Ingevideo and Equipo de Cine.
Sony has announced that, following the Version 4.0 firmware release this June for its Venice digital cinema camera, which includes a high frame rate license to support 120fps at 4K 2.39:1, 110fps at 4K 17:9, 75fps at 4K 4:3 and 60fps at 6K 3:2, Venice’s Version 5.0 update will further enable cinematographers to shoot at speeds of up to 90fps at 6K 2.39:1 and 72fps at 6K 17:9/1.85:1. This addition enables Venice to capture three times slow motion at 24p, even in 6K. Cinematographers can utilize the same camera across multiple speeds, maintaining the full-frame shallow depth of field, as well as the high picture quality of oversampling in 6K.
Atomos Limited has introduced Neon, an all-new line-up of precision 4K HDR field monitor-recorders for on-set or in-studio production where reliable and trustworthy monitoring is essential. Neon comes in four screen sizes, 17-inch, 24-inch, 31-inch and 55-inch, ensuring that no matter the critical production usage, every crew member sees an accurate image representation so directors know with confidence that they have got the shot, that cinematographers ensure consistent exposure, focus pullers maintain the sharpness of an actor's eyes, and so editors and color graders can lock down the creative intent from shot to shot.