Cinematic Media, Mexico City’s largest, full-service post-production facility focused on television and cinema content, is teaming with two-time Academy Award-nominated supervising sound editor Martín Hernández to bring Hollywood-caliber sound services to Mexico. Hernández, sound supervisor for such films as The Revenant, Birdman and Pan’s Labyrinth, is overseeing construction of a new sound division at Cinematic Media. When complete, it will feature six sound editorial and mixing stages, each with Avid Pro Tools systems, and each certified for Dolby Atmos sound production. Construction will be finished in July.
The Alcons Audio CRS8 is a 2-way passive-filtered full range loudspeaker, designed to meet all requirements of current and future immersive surround sound formats. Featuring the patented Alcons pro-ribbon driver technology, the CRS8 combines an exceptional clarity and intelligibility with an unusually high dynamic range, offering the most realistic sound reproduction possible.
As part of the ongoing expansion of its sound resources, Sony Pictures Post Production Services has upgraded three mix stages on the Sony Pictures lot to support sound mixing for film and television in the immersive Dolby Atmos format. Among them is the 344-seat Cary Grant Theatre, the studio’s largest. Sony Pictures now has seven mix stages that support Dolby Atmos sound and plans to have nine within the next few years. The first project slated for an immersive mix in the upgraded theaters is Sony Pictures’ Spider-Man: Far from Home, which opens July 5.
Supervising sound editors Becky Sullivan and Andrew DeCristofaro, who share a 2015 Academy Award nomination for their work on Unbroken, have joined Sony Pictures Post Production Services. The pair has collaborated on numerous films over the years, including this year’s Best Picture Academy Award winner Green Book, with DeCristofaro as supervising sound editor and Sullivan as automated dialogue replacement supervisor. Sony Pictures is building theater-style studios with sound design and mixing capabilities for the two sound artists on the studio lot.
The Motion Pictures Sound Editors presented the 66th MPSE Annual Golden Reel Awards at a black-tie ceremony at the Bonaventure Hotel in Los Angeles last Saturday night. Golden Reel Awards recognizing outstanding achievement in sound editing were presented in 23 categories encompassing feature films, long-form and short-form television, animation, documentaries, games, special venue and other media.
Dolby Laboratories congratulates this year’s Academy Award nominees who have tapped into the audio-visual power of Dolby technologies to draw audiences into their stories. Five of the eight Best Picture nominees this year used both Dolby Vision and Dolby Atmos. And all five films nominated for Sound Mixing and Sound Editing awards this year were presented in Dolby Atmos.
Three of the five Best Animated Film nominations also utilized Dolby Vision and Dolby Atmos.
Los Angeles post house Inventure Studios has renovated its Studio C with the installation of a Severtson projection screen. Now all four of its studios are equipped with a Severtson woven acoustically-transparent screen. Seveterson dealer Keith Watanabe supervised the installation.
Twenty years ago, Sound Lounge was born out of a desire to create something that did not exist in the audio post-production community. Tom Jucarone, Peter Holcomb and Marshall Grupp imagined an artist-owned studio that put a premium on excellence in everything related to sound, but with a laid-back, friendly vibe. It would be a studio packed to the rafters with state-of-the-art gear, a place where they could work at a high level and nurture the next generation of sound talent, but also a “home” where they wouldn’t mind hanging out after the work was finished.
Sound production for Columbia Pictures and Sony Pictures Animations’ feature film Spider-Man: Into the Spider-Verse, which has received critical acclaim including a Golden Globe nomination and a New York Film Critics Circle win for Best Animated Feature and a Los Angeles Film Critics Association win for Best Animation, was completed on the Sony Pictures studio lot in Culver City.
Sound designer and music producer Shreyas Srinivas first started out as a guitar player and later switched to music production. As a producer, he began doing a lot of work in post production, including sound design, sync sound and re-recording for a range of indie projects, short films and TV shows as well as a variety of Bollywood films. His latest project was Discharge, a short film about post-traumatic stress disorder