Post-production finishing for the first season of the Paramount+ drama Wolf Pack was recently completed at Pace Pictures, Hollywood. The full-service post house provided sound and picture services for the series, written and executive produced by Jeff Davis, including sound editorial, automatic dialogue replacement, sound mixing, color grading, and editorial finishing.
Pace Pictures provided editorial and post-production services for For the Love of Money, the new crime drama from executive producer Melvin Childs, director Leslie Small and Freestyle Releasing, about a single mother who takes desperate action to save her teenage daughter from gangsters threatening her life. Pace’s Heath Ryan edited the film, which draws audiences into a murky world of crime, violence, and unlimited cash, and explores the morality of doing whatever it takes to protect the ones you love.
Pace Pictures provided complete post-production services for Tremors: Shrieker Island, the latest installment in the cult horror franchise about giant, worm-like creatures that prey on humans.
The future of independent film production in a post-covd-19 world is taking “virtual” shape at Pace Pictures in Hollywood. The boutique facility recently used groundbreaking virtual production technology to produce Match, a feature-length romantic comedy from director Sean McGinly (Silver Lake, The Great Buck Howard). Actors were shot on a green screen stage and placed into virtual three-dimensional environments while incorporating complex camera movement and lighting. Most remarkably, principal photography was accomplished in just five days and at a fraction of the cost of most conventional film productions.
Independent post-production company Pace Pictures has opened a new sound and picture finishing facility in Hollywood. The 20,000 square foot site offers editorial finishing, color grading, visual effects, titling, sound editorial and sound mixing services. Key resources include a 20-seat, 4K color grading theater, two additional HDR color-grading suites and ten editorial finishing suites. It also features a Dolby Atmos mix stage designed by three-time Academy Award-winning re-recording mixer Michael Minkler, who is a partner in the company’s sound division.