For the new independent drama Mayday, Goldcrest Post senior colorist Marcy Robinson worked with director Karen Cinorre, in her feature debut, and cinematographer Sam Levy to hone a unique visual language for a one-of-a-kind story that blends fantasy and reality in colorful and unexpected ways.
Pace Pictures provided complete post-production services for Tremors: Shrieker Island, the latest installment in the cult horror franchise about giant, worm-like creatures that prey on humans.
Award-winning post-production facility Electric Theatre Collective has invested in a 31-inch 4K Sony Trimaster BVM-HX310 professional master monitor for the grading suite at its London studios. The monitor was provided by accredited Sony dealer Big Pic Media.
Goldcrest Post recently performed a feat of post-production magic for one of the most unusual film releases of the year. Grizzly II: The Revenge, a thriller about a giant bear that attacks fans at a rock concert, was shot in 1983 by the late Hungarian director André Szöts. Starring Steve Inwood, and including appearances by George Clooney, Laura Dern, Louise Fletcher and Charlie Sheen, the film was intended to be a sequel to Grizzly, a modestly budgeted independent film that became the top grossing independent film of all time upon its release in 1976, but it was left unfinished. That changed late last year when executive producer Suzanne C. Nagy retrieved the nearly 40-year-old original elements from storage and sought Goldcrest’s help in getting the film ready for its long-delayed release.
Arriving in movie theatres in the summer of 1988, Coming to America starred Eddie Murphy as Prince Akeem Joffer from the fictional African nation of Zamunda. Upon learning that his parents, King Jaffe (James Earl Jones) and Queen Aoleon (Madge Sinclair), had arranged for him to be married, Akeem and his aide Semmi (Arsenio Hall) embarked on a journey to find the prince a bride with whom he could connect both emotionally and intellectually. Naturally, Akeem’s quest for the future queen of his nation took him to Queens, New York, and it was there that he met and fell in love with Lisa McDowell (Shari Headley). Directed by Craig Brewer, the sequel Coming 2 America finds Akeem and Lisa 30 years later and still happily married, now with three daughters of their own.
Nominated for two Golden Globes, including one for first-time director Regina King, the film One Night in Miami… explores the dialectic that might have ensued between four young, famous Black men in 1964 as they each stood at a personal crossroads within the larger context of the civil rights movement. The film was shot by cinematographer Tami Reiker, ASC.
Assimilate today announced DIT Pack, a new product bundle that includes Assimilate’s advanced Scratch dailies software and Live Looks for live grading single and multi-cam set-ups. The DIT Pack is ideal for modern production workflows that require extensive previz on-set to increase creative control, and to streamline post workflows after the shoot.
The Colorist Society International has appointed Lynette Duensing to a position as Fellow. Duensing is being recognized for her outstanding achievements and contributions to the craft of color across a highly productive career spanning more than 30 years. Other CSI Fellows include Dale Grahn, Lou Levinson, Charles Poynton, Walter Volpatto and Kevin Shaw.
Senior colorist Alex Berman has joined the team at Goldcrest Post. Berman brings more than 20 years of experience in color grading and credits across feature films, episodic television, documentaries and commercials.
The documentary Baby God, from first-time director Hannah Olson and executive produced by Academy Award nominees Heidi Ewing and Rachel Grady, is a shocking examination of the work of a Las Vegas fertility specialist, Dr. Quincy Fortier, and the many women he guided to pregnancy through the use of his own sperm, often without their knowledge or consent. The documentary follows his newly discovered offspring as they grapple with the scope of his misdeeds and the impact that his genes may have on their own identities.
