Theatre Sound

Rod Archer Joins QSC as Product Manager, Cinema

Tue, 12/11/2018 - 13:02 -- Nick Dager

Industry veteran Rod Archer has joined QSC Cinema as product manager. In his new role, Archer will be primarily responsible for product strategy and execution for Q-SYS for Cinema, Cinema Media Server, Control and Accessibility Product categories. Archer brings a rich career of product development experience, with more than 30 years of executive product development roles.

Capital Cinema Unveils World’s Largest Onyx Screen

Mon, 12/10/2018 - 10:37 -- Nick Dager

Samsung Electronics unveiled its largest-ever 3D-ready Onyx screen at Capital Cinema in the Xicheng district in Beijing, China. The December 7 opening of the world’s largest 3D LED cinema was timed with the premiere of Warner Bros.’ DC Comics superhero film Aquaman, which has a DTS:X immersive sound track. Aquaman opened with $93.6 million in ticket sales in three days in China, marking the best start for a Warner Bros. title in that territory.

Venom Sound Mix Completed at Sony

Mon, 11/19/2018 - 10:14 -- Nick Dager

Box office hit, Venom, from Columbia Pictures, was among the first films to have its sound work completed through Sony Pictures Post Production Services’ expanded facilities on the studio lot in Culver City. Supervising sound editor/re-recording mixer/sound designer Will Files and his crew used a new theater-style sound design suite to create sound effects for the film, which stars Academy Award nominated actor Tom Hardy as both the alien symbiote Venom and its human host, Eddie Brock

Odeon Opens the UK’s First Dolby Cinema

Wed, 11/07/2018 - 09:02 -- Nick Dager

One of Europe’s most famous cinemas, London’s Odeon Leicester Square, will reopen this Christmas following an 11 month, multi million pound deluxe refurbishment that has transformed what has been called the home of the premiere back into a global icon in the heart of London’s West End. The building’s largest screen has been fully upgraded to combine luxurious reclining Odeon Luxe seats with the captivating experience of Dolby Cinema.

Or, As I Like to Call It, Radio

Thu, 10/18/2018 - 11:00 -- Nick Dager

In a reverse twist on the silent movies of old, The Companions: A Lost Screenplay is a film without moving images. Or, as described in accompanying notes from the de Young Museum in San Francisco, the sound installation becomes “a type of auditory cinema that explores the vital role sound plays in shaping narrative and affective space in film.” The 20-minute work, presented in the de Young’s iconic observation floor (one of the free spaces within the museum), couples sweeping 360-degree views of the city to a soundtrack of music and sound effects as reproduced through a 24-channel system of Meyer Sound loudspeakers.

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