In collaboration with Dolby, Powersoft is building on its recent growth in the global cinema market by adding support for Dolby Atmos Connect AES67 patching into the latest version of its ArmoníaPlus software, streamlining the process of connecting its amplifiers to Dolby’s cinema hardware.
Last month, after a long career with Barco and then Cinionic, Wim Buyens announced that he had founded the organization Cinema Coach and, at the same time, been named chairman of the board of Procella Audio. According to Buyens, Cinema Coach is unique in many ways. “We are dedicated to transforming and reimagining the cinema and entertainment landscape by fostering a dynamic ecosystem of innovation and collaboration,” he said. “Our goal is to address current challenges and unlock new opportunities in this industry. We facilitate collaboration between tech entrepreneurs and industry experts, utilizing strategic advisory services and tailored technological solutions specifically for the entertainment sector. Our work involves connecting with industry experts and tech innovators to drive advancements, providing tailored strategic advice to enhance operational efficiencies and customer experiences, and developing and implementing cutting-edge technological solutions to address industry challenges and explore new opportunities.” I recently spoke via email with Buyens about those challenges and opportunities. Here is that conversation.
Kino Piispanristi is a full-service 286-seat independent cinema close to Turku, Finland. The venue is a long-time passion project of Henry Erkkilä, a movie lover who wanted to create a modern cinema that transcends tradition when it comes to technology.
Nordisk Film Cinemas recently refurbished two of the screening rooms in its Kinopalæet cinema, north of Copenhagen. Powersoft’s Unica amplifier platform is the backbone to the redone screening rooms.
The Unilumin Group has introduced what it says is the world's first acoustically transparent cinema LED screen. This innovation was launched at Xinjiekou International Cinema in Nanjing, China.
Meyer Sound has named Mark Mayfield director of cinema marketing. In this newly created role, Mayfield will drive Meyer Sound’s strategic expansion in the cinema market, reaffirming the company’s position at the forefront of professional cinema audio solutions.
At the 77th edition of the Festival de Cannes today, Dolby Laboratories senior vice president Ioan Allen was awarded a Festival de Cannes Medal by Thierry Frémaux, general delegate of the Festival de Cannes and managing director of the Institut Lumière.
The outdoor cinema sound app Cinewav of Singapore has been granted a U.S. patent. Cinewav, which was invented by filmmakers Jason Chan and Christian Lee, is a phone-based app that replaces expensive, heavy, manpower intensive audio systems or FM transmitters or broadcasting at outdoor cinemas.
Supercines, Ecuador’s largest cinema chain, has just opened the 10-screen multiplex Supercines Orellana, which has been equipped with Christie cinema technology, including RGB pure laser projectors, Christie Vive Audio and LCD digital signage displays. T&T Cinema supplied and installed all Christie equipment in the new complex.
The storied French cinema, Le Grand Rex, recently refurbished its space in Paris to create a striking 296-seat screen featuring Christie laser projection, Dolby Atmos sound, a RealD Ultimate screen, luxury reclining leather seats, and two kilometers of customizable LED lighting throughout, creating a captivating, immersive experience, paired with exceptional cinematic performance.
