Post-production sound for this summer’s blockbuster hit from Columbia Pictures, in association with Marvel Studios, Spider-Man: Far From Home, was completed by Sony Pictures Post Production Services. Supervising sound editor and sound designer Steven Ticknor, re-recording mixer and supervising sound editor and sound designer Tony Lamberti and re-recording mixer Kevin O’Connell led a team of veteran sound artists in delivering dynamic soundscapes to match the film’s full throttle action, mind-blowing superhero gadgetry and larger-than-life characters, the latter including a quartet of extra-dimensional creatures with colossal powers known as the Elemental Creatures.
Sound production for Columbia Pictures’ new action adventure Men in Black: International was completed by Sony Pictures Post Production Services on the studio lot in Culver City. Three-time Academy Award-winning sound designer/supervising sound editor/re-recording mixer Paul N. J. Ottosson led the sound team in delivering a host of ingenious sound elements to support the film’s colorful cast of characters, super-charged action scenes and extraterrestrial comedy.
Sound production for Her Smell¸ writer/director Alex Ross Perry’s new film about a self-destructive punk rocker named Becky Something (Elisabeth Moss) was completed at Goldcrest Post in New York. Ryan M. Price served as supervising sound editor, sound designer and re-recording mixer on the project, delivering a rich and nuanced soundtrack that brings to life a seedy rock club, an indie recording studio and other points along Becky’s road to ruin and eventual redemption.
Sound Lounge has promoted Becca Falborn to executive producer. In her new role, Falborn will manage the studio’s busy advertising division and supervise its team of producers. She will also lead client relations and sales. Additionally, she will manage Sound Lounge Everywhere, the company’s remote sound services offering, which currently operates in Boston and Boulder.
Cinematic Media, Mexico City’s largest, full-service post-production facility focused on television and cinema content, is teaming with two-time Academy Award-nominated supervising sound editor Martín Hernández to bring Hollywood-caliber sound services to Mexico. Hernández, sound supervisor for such films as The Revenant, Birdman and Pan’s Labyrinth, is overseeing construction of a new sound division at Cinematic Media. When complete, it will feature six sound editorial and mixing stages, each with Avid Pro Tools systems, and each certified for Dolby Atmos sound production. Construction will be finished in July.
The Alcons Audio CRS8 is a 2-way passive-filtered full range loudspeaker, designed to meet all requirements of current and future immersive surround sound formats. Featuring the patented Alcons pro-ribbon driver technology, the CRS8 combines an exceptional clarity and intelligibility with an unusually high dynamic range, offering the most realistic sound reproduction possible.
As part of the ongoing expansion of its sound resources, Sony Pictures Post Production Services has upgraded three mix stages on the Sony Pictures lot to support sound mixing for film and television in the immersive Dolby Atmos format. Among them is the 344-seat Cary Grant Theatre, the studio’s largest. Sony Pictures now has seven mix stages that support Dolby Atmos sound and plans to have nine within the next few years. The first project slated for an immersive mix in the upgraded theaters is Sony Pictures’ Spider-Man: Far from Home, which opens July 5.
Supervising sound editors Becky Sullivan and Andrew DeCristofaro, who share a 2015 Academy Award nomination for their work on Unbroken, have joined Sony Pictures Post Production Services. The pair has collaborated on numerous films over the years, including this year’s Best Picture Academy Award winner Green Book, with DeCristofaro as supervising sound editor and Sullivan as automated dialogue replacement supervisor. Sony Pictures is building theater-style studios with sound design and mixing capabilities for the two sound artists on the studio lot.
The Motion Pictures Sound Editors presented the 66th MPSE Annual Golden Reel Awards at a black-tie ceremony at the Bonaventure Hotel in Los Angeles last Saturday night. Golden Reel Awards recognizing outstanding achievement in sound editing were presented in 23 categories encompassing feature films, long-form and short-form television, animation, documentaries, games, special venue and other media.
Dolby Laboratories congratulates this year’s Academy Award nominees who have tapped into the audio-visual power of Dolby technologies to draw audiences into their stories. Five of the eight Best Picture nominees this year used both Dolby Vision and Dolby Atmos. And all five films nominated for Sound Mixing and Sound Editing awards this year were presented in Dolby Atmos.
Three of the five Best Animated Film nominations also utilized Dolby Vision and Dolby Atmos.