When Gene Martin, owner of Audio Department and Sound Guy Solutions, was presented with a technical nightmare for a commercial client in the early days of COVID, his sound mixer gears started turning. With scenes being shot in separate areas around the U.S., Martin had to juggle as many as 10 different drop kit audio packages at a time. As he was on-location with the main crew in California, he also had to account for remote workflows as well as social distancing protocols.
Studio Technologies has introduced the Model 5482 Dante Bridge to provide a means of interconnecting up to 64 audio-over-Ethernet channels between LANs or Dante domains
Valuable catalog assets are usually locked in their original state, so these revenue-creating projects aren’t possible without the availability of separate stems or a full session. Enterprise Licensing from Audionamix gives film studios, distributors, publishers, and record labels the freedom and flexibility to access that content on their own schedules, and from their own facilities.
The creative team behind Neon’s She Dies Tomorrow will participate in a panel discussion on October 23 during NAB Show New York’s online conference. The session, which will explore the use of sound and picture finishing to create suspense and emotional tension in feature films, will be available on the main stage channel.
Set in modern-day Brisbane, Australia, Bite Club follows a young werewolf, Adron, on his search for his missing brother in a world where supernatural beings hide in the shadows. Tapped as composer, producer and sound designer for the film, Dana James Presson knew he wanted to create an explosive theatrical presentation.
Undeterred by this year’s COVID-19 health challenges, Éclair Versioning & Accessibility has added a new state-of-the-art recording room to the Vanves’ facility as part of a wider reorganization of its Parisian studios, which included changes and upgrades to a number of its recording studios. The company has also opened a new dubbing facility in Barcelona.
Production sound mixer Ben Nimkin has worked on a long list of compelling documentaries including Fyre Fraud; Rest in Power: The Trayvon Martin Story; States of Undress; Gaycation and more. With a specialty for investigative documentaries, Nimkin is no stranger to capturing highly emotional conversations and working in extreme environments. Experience has taught him – sometimes the hard way – that in documentary work you usually have just one chance to get the sound right.
Recording, editing, mixing and mastering engineer Ayako Yamauchi has found that turnaround speed is crucial to many of her film and television projects. Having won multiple awards for her audio post-production work, Yamauchi’s credits are filled with some of the world’s leading video games. Included among these are Uncharted: The Lost Legacy, God of War and Sekiro: The Shadow Dies Twice.
Called “one of the most prescient films of the decade,” She Dies Tomorrow from Neon and writer/director Amy Seimetz, centers on a woman who believes she is about to die from a mysterious illness that is also highly contagious. The psychological thriller, which recently went through sound and picture finishing at Goldcrest Post in New York, delves into universal feelings of anxiety and dread through a story that blends horror, humor, drama and the surreal. Seimetz used sound to convey the feeling of fear.
Discovery Network’s Journey to the Future, produced by Storied Media, is a documentary focused on the behind-the-scenes lead-up to America’s historic SpaceX Falcon 9 launch. Several packages were also produced for use throughout the live broadcasts. Among the professionals who worked tirelessly on these projects was re-recording mixer Michael Phillips Keeley, CAS, who helped create the soundscape.