Exhibition

Brice 3 Releasing in EclairColor

Mon, 10/17/2016 - 12:25 -- Nick Dager

A second feature film, Brice 3, has been re-mastered with Ymagis Group’s EclairColor digital color technology. The James Huth film starring Jean Dujardin, Clovis Cornillac and Bruno Salomone will be released in France on Wednesday and shown exclusively in EclairColor at the Gaumont Marignan cinema on the Champs-Elysées. The CinemaNext France teams have equipped one of the largest auditoriums at the Gaumont Marignan with EclairColor technology.

Ymagis Group to Present EclairColor Digital Color in Los Angeles November 1-4

Mon, 10/17/2016 - 12:18 -- Nick Dager

Ymagis Group will showcase its new EclairColor digital color solution in Los Angeles over a four-day period from November 1-4. The presentation will take place at the landmark 350-seat screening facility Harmony Gold Preview House on Sunset Boulevard, which has been specially equipped with a Sony Digital Cinema 4K SRX-R515 projection system.

QSC Announces DPM Series Digital Processor/Monitors

Thu, 10/13/2016 - 11:11 -- Nick Dager

QSC has announced the new DPM Series of digital signal processors/monitors, which build on the company’s legacy of products to provide all signal processing and monitoring functions for digital cinema in a single integrated system. Designed to be used with QSC’s digital cinema amplifiers and featuring advanced Intrinsic Correction settings for QSC’s digital cinema speakers, the DPM optimizes QSC loudspeaker and amplifier performance while simplifying cinema sound system wiring and configuratio

CGR Upgrades Premium Rooms with Christie

Mon, 10/03/2016 - 13:27 -- Nick Dager

CGR Cinemas in France is upgrading its premium screens across its nationwide chain with Christie Solaria CP42LH RGB laser projectors. Cine Digital Service will manage and support the installations. The projectors will be part of CGR’s new Premium Room concept, which is to be unveiled at selected cinemas across France. Openings begin in December.

Five New Films Coming in Dolby Cinema

Thu, 09/29/2016 - 12:04 -- Nick Dager

Dolby Laboratories today announced five new titles to be shown at Dolby Cinema locations around the globe. The titles include Lionsgate’s Deepwater Horizon, due out September 30; Twentieth Century Fox’s Miss Peregrine’s Home for Peculiar Children, due out September 30; Sony Pictures’ Inferno, due out October 28; Lionsgate’s La La Land, due out December 16; and Legendary/Universal Pictures’ The Great Wall, due out February 17, 2017.

NEC Europe Launches NC1000C Projector

Wed, 09/28/2016 - 11:25 -- Nick Dager

NEC Display Solutions Europe today launched the NC1000C, its second-generation digital cinema projector using NSH lamp technology, offering an enhanced cinema experience at theatres with smaller screens or small projection booths. The company says the new projector is compact, silent in operation and matches the specific demands of mobile cinema applications and theatres without dedicated projection booths.

National Upgrades with Barco Laser

Thu, 09/22/2016 - 10:02 -- Nick Dager

National Amusements and Barco have established a strategic partnership to convert all Showcase XPlus auditoriums to Flagship Laser projection. As part of the agreement, National will install Barco’s Flagship Laser projectors in all of its premium large format Showcase XPlus auditoriums beginning with six of its top theater sites in the Massachusetts, New York and New Jersey areas. In the future, all XPlus auditoriums will feature Barco’s Flagship Laser projection technology.

The Show Must Go On

Thu, 09/15/2016 - 12:14 -- Michael D. Smit...

If the Hollywood studios want to thrive in the era of Google, Amazon, and Netflix, they are going to have to think differently about communicating with their customers. In order to do that, they are going to have to make gathering and analyzing data on customers a priority. Consider the instructive story of how Steve Jobs revived Apple and transformed it into one of the most successful businesses in the world. The story in general is well known, but we’d like to focus on one aspect of it that gets less attention than it should: how Apple used connections with customers and data on customers to turn itself around.

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