Fugitive Dreams, based on the play by Caridad Svich, is an allegorical road movie touching on themes of homelessness, mental health and addiction, as two lost souls embark across a dreamscape America. Their darkly strange journey confronts them with their traumatic pasts, and bonds them in compassion and love. For cinematographer Peter Simonite, ASC, CSC lensing the film meant needing a vintage look — but a look that was also consistent between lenses.
Cinemas temporarily closed by the government lockdown are re-opening to the public with the launch of a new virtual cinema called YourScreen, a partnership of local, independent exhibitors created to stream new films and films unavailable on other digital platforms into the homes of audiences around the United kingdom. These are films that might normally play in their local cinema.
The Flight Attendant, the Max original series from WarnerMedia Entertainment for the new HBO Max streaming service in the U.S., tells the story of how an entire life can change in one night. Flight attendant Cassandra “Cassie” Bowden (Kaley Cuoco, The Big Bang Theory) wakes up in the wrong hotel, in the wrong bed, with a dead man — and no idea what happened.
Cinematographer Akis Konstantakopoulos, GSC, mixed natural lighting and handheld camera work to bring a natural and informal dimension to The Chosen, a multi-season TV show charting the life of Jesus Christ. “If you normally find Bible projects boring or unrelatable, like I do, this will feel different. And I like to think that the look of it has contributed to it being such an international hit,” said Konstantakopoulos.
Signs of life for the movie industry have just been spotted on Mars. A group of veteran Hollywood filmmakers have announced plans for Gods of Mars, a feature-length sci-fi epic, to be produced through a blend of revolutionary virtual production technology and special effects techniques from the original Star Wars era. Providing a possible blueprint for filmmaking’s future, the hybrid technique allows productions to move quickly, and at a fraction of the cost of today’s $200-plus million studio blockbusters.
Editorial and post-production finishing for the eight-episode, first season of the hit Starz series P-Valley was centered in New York as several Post New York Alliance member companies helped bring the fictional small town of Chucalissa, Mississippi vibrantly to life. New York City facilities Goldcrest Post, Harbor and Technicolor PostWorks each played a role in the project, as did Foley specialist Alchemy Post Sound and VFX studio The Molecule.
With the growth of Netflix, Disney+, Amazon Prime and Apple TV, to name just a few, the international audience for film and television has never been bigger or more diverse. And the need for accurate and coherent subtitles – both for artistic and economic reasons – has never been more important. For two decades Dr. Vasilis Manousakis, the Literature, Literary and Audiovisual Translation instructor at Hellenic American College in Athens, Greece, has been subtitling and translating a broad range of genres, series and films produced by HBO, Disney, Universal Pictures, Warner Bros. and Netflix, among them Lost, The Good Place, Star Wars and Game of Thrones.
Arts Alliance Media, the global leader in digital cinema software and support services, has launched Operation Beach Clean, an initiative designed to reduce environmental waste by removing litter from Britain’s beaches.
When Gene Martin, owner of Audio Department and Sound Guy Solutions, was presented with a technical nightmare for a commercial client in the early days of COVID, his sound mixer gears started turning. With scenes being shot in separate areas around the U.S., Martin had to juggle as many as 10 different drop kit audio packages at a time. As he was on-location with the main crew in California, he also had to account for remote workflows as well as social distancing protocols.
Vue Entertainment’s Cinema3D circuit in Poland has installed Vista Cinema management software in all 11 sites. The announcement was made jointly by Roland Jones, executive director technical services, Vue International and Till Cussmann, Vista’s senior vice president, sales for EMEA and general manager, Europe.
