The Rohde & Schwarz Clipster now supports AS-11 and can generate Interoperable Master Format packages up to 4K, in addition to the mezzanine format AS-02. The British Digital Production Partnership (DPP) initiative decided to implement AS-11 as the standard delivery format from October 2014. This format is of great interest to the U.S. market too as programs are often produced there for the British market and they need to meet the same delivery format requirements from October.
Digital Cinema Packages
The QuVIS Wraptor DCP encoder is now available in the current release of Adobe Media Encoder CC. The new integration provides Adobe Creative Cloud members with the ability to easily create digital cinema packages for distribution and archiving.
For the 3rd consecutive year Doremi was named the Official Technical Partner of the Cannes Film Festival, which took place from May 14th to May 25th.
The fully restored and digitally mastered 4K high frame rate version of the hit musical Oklahoma! premiered at the TCM Classic Film Festival on April 10 at the TCL Chinese Theater in Hollywood. This historic screening of the 1955 Todd-AO classic is the first time a high bitrate and HFR DCP has been created and exhibited as part of the restoration of a feature film classic.
QuVIS Technologies today announced the integration of the QuVIS Wraptor digital cinema package encoder in the next update to Adobe Media Encoder CC and directly accessible from Adobe Premiere Pro CC. Company officials will demonstrate the capability of the Wraptor Media Encoder integration at the National Association of Broadcasters convention next week in Las Vegas. The new integration will provide Adobe Creative Cloud members with the ability to easily create digital cinema packages for distribution and archiving.
Celebrating its 50-year anniversary, Fox Studios Australia based specialist editorial facilities provider Spectrum Films has selected Mistika to drive its expansion of high-end color grading, finishing and digital intermediates using SGO's proven technology at the helm. This is the first real-time 4K-capable Mistika system in Australia, and includes advanced DI grading as well as Digital Cinema Package tools enabling encrypted or un-encrypted DCP creation directly from camera raw and other media files directly off the timeline.
Doremi has announced that its DCP line of servers including the DCP2000 and DCP2K4 and its integrated media block system IMB/ShowVault now support the Dolby Atmos sound platform.
Doremi today announced numerous upgrade features to its software-mastering suite CineAsset, which incorporates all of Doremi’s essential workflow tools including CineExport and CinePlayer into one suite.
Ömheten has won The Guldbagge Award, Sweden's equivalent of the Oscars, for Best Cinematography. Director of photography Petrus Sjövik accepted the award.
Last September, International Datacasting announced that DSAT Cinema had committed to buy more than 1,000 of its SuperFlex Pro Video Receivers. Since its inception last year, DSAT Cinema, the Eutelsat and dcinex joint venture has used IDC’s technology to deliver more than 300 films and 50 live broadcasts, from iconic locations that include the Metropolitan Opera in New York, Moscow's Bolshoi Theatre and the Royal Opera House in London. The companies described their relationship as an alliance and a partnership. Digital Cinema Report recently spoke with Walter Capitani, International Datacasting’s vice president of marketing to get an update on the progress they’ve made to date.