Cinematography

Directed by John Crowley, We Live in Time explores love, loss, and the fragility of life, painting an intimate portrait of the relationship between principal characters Almut (Florence Pugh) and Tobias (Andrew Garfield). With the support of Panavision London and Panalux London, cinematographer Stuart Bentley, BSC crafted a visual approach that enhances the story’s raw emotion while remaining unobtrusive.

“This story highlights main characters from three different generations,” says director Richard Lagravenese of his new feature A Family Affair. Now streaming on Netflix, the movie follows Zara Ford (played by Joey King), who works thanklessly as the assistant to self-absorbed movie star Chris Cole (Zac Efron) — who, in turn, ends up falling for Zara’s widowed mother, Brooke Harwood (Nicole Kidman), with comic consequences for all.

Up to the moment the cameras rolled, cinematographer Matthias Königswieser, AAC wasn’t sure White Bird: A Wonder Story would actually happen. Production of the feature film began in Prague in the middle of the coronavirus pandemic, when most of Europe was on lockdown. Transporting crew, talent, and equipment required herculean effort and contingency planning, and if key personnel or talent tested positive for covid, the entire schedule could be upended, or the production could be shut down. Lay on top of those difficulties a cold, mucky winter, and you have a recipe for what could have been a disaster.

The Forge is an American drama film directed by Alex Kendrick and co-written by Stephen Kendrick. It is a spin-off to War Room (2015) and tells the inspiring story of a young man's journey for purpose through faith and discipleship. The film was shot in Albany, Georgia, by cinematographer Bob Scott and the color was completed by colorist Keith Roush in Atlanta, at Roush Media.