Writer-director Le Chau was born in Vietnam, moved to the United States when she was 22, and graduated from the UCLA School of Theater, Film and Television in 2023. Her short film Doldrums tells the story of a Vietnam War veteran’s experience in two time periods: in the midst of combat and in his modern-day civilian life.
Leo is the third film in the Lokesh Cinematic Universe. Inspired by the A History of Violence graphic novel series, director Lokesh Kanagaraj’s Tamil-language action thriller follows family man Parthi who resides in Northwestern India where he owns a coffee shop and helps the local forest ranger rescue animals. His attempts to keep a low profile fall short after he saves the townsfolk from a wild spotted hyena and makes national news. An army of crazed and dangerous gangsters begin to hunt Parthi, obsessed with their belief that he is in fact Leo, a master criminal and son of their kingpin Antony Das. Parthi must fight to protect his family and convince them of his innocence.
As befits a drama about a sophisticated culinary critic it is the fresh palette of colorful and appetizing images that first meets the eye. But filmmakers Gastón Duprat and Mariano Cohn wanted to make Nada a series of postcards from the city of Buenos Aires. “Naturally we wanted to make the food look good, but their first call was to show Buenos Aires as a modern, romantic and beautiful city,” said cinematographer Alejo Maglio, ADF. “In my mind I wanted to make a portrait of the city, of the characters and of the dishes.”
The Society of Camera Operators has announced the recipients of its upcoming Lifetime Achievement Awards. Recipients will be presented and honored during the annual SOC Lifetime Achievement Awards on Saturday, February 24.
By the time last year when cinematographers Greig Fraser and Oren Soffer were signed to work on the feature film The Creator, director Gareth Edwards had already spent more than a year doing test shoots and location scouting. Edwards said he used that time as the opportunity to envision the look of the film. He went to Vietnam, Cambodia, Japan, Indonesia, Thailand, and Nepal. He said, “Our whole plan was just to go to the greatest locations in the world, because the cost of a flight is way less than the cost of building a set.” Considering the budget of just over $86 million, the filmmakers utilized guerrilla filmmaking methods by having very few crew members and natural lighting on set for select on-location scenes, and limited sound recording. I recently spoke via email with Soffer to learn more about how The Creator was shot.
CineSeason, an immersive two-day event taking place October 6-7 in the Kingdom of Saudi Arabia, is designed to provide aspiring filmmakers, content creators and enthusiasts with a comprehensive learning experience in various aspects of cinematic filmmaking, and the opportunity to join industry experts in discussing the latest technologies, trends and solutions in digital cinema, broadcast, and video ahead of the fourth edition of the Riyadh Season.
Winning Time: The Rise of the Lakers Dynasty is back for its second season on HBO, pushing deeper into the 1980s as it continues to recount the on- and off-court stories surrounding the Showtime era of the Los Angeles Lakers. After sharing cinematography duties with Mihai Malaimare Jr. on Season 1, Todd Banhazl, ASC returned for Season 2, now joined by fellow cinematographers John Matysiak, Ricardo Diaz and Darran Tiernan, ISC.
Created by Alex Gregory and Peter Huyck and directed by David Mandel, the five-part miniseries White House Plumbers shines a fresh light on the real-life comedy of errors that burst out of the infamous Watergate scandal. Light Iron provided dailies and final color for the project, which reteamed cinematographer Steven Meizler and supervising colorist Ian Vertovec.
Lawrence Sher, ASC, is an American cinematographer and film director best known for his work on Joker (2019), Godzilla: King of the Monsters (2019), War Dogs (2016), The Hangover (2009) and Garden State (2004). He has just completed filming Joker: Folie a deux – the follow up to the 2019 film which comes out in 2024. Last month he was appointed as the president of the 2023 FilmLight Color Awards jury. The winners of the award will be announced in November at EnergaCamerImage. Sher recently spoke with Digital Cinema Report via email about cinematography, about the role of color in the filmmaking process and about the color awards themselves. Here is that conversation.
Mark Roberts Motion Control, a Nikon company, has launched its latest innovation, the Cinebot Mini, a small, lightweight, and versatile camera robot designed to enable operators to take charge of every shot. The Cinebot Mini has been engineered for simplicity, with a range of user-friendly, simple, and portable features ideal for studio owners, content creators, grips, cinematographers, and camera operators.