Star Trek: Strange New Worlds is spin-off from Star Trek: Discovery and a prequel to Star Trek: The Original Series, Strange New Worlds follows Captain Christopher Pike and the crew of the USS. Enterprise. Cinematographer Glen Keenan, CSC, wanted to give the show the most organic, non-studio look to convince the audience they were seeing a real location.
The American Film Institute has announced a call for applicants for the 2022 Cinematography Intensive for Women presented by Panavision. Returning after a two-year hiatus due to the pandemic, the four-day program will be held on the AFI Campus in Los Angeles on Friday, July 15 through Monday, July 18. Designed for aspiring cinematographers, the goal of the program is to provide participants with a toolkit to secure on-set experience in the field and first-hand industry insights demonstrating the path to professional career success.
Color grading and editorial finishing for A Father’s Son, director Patrick Chen’s short film about the murder of a teenage boy in Manhattan’s Chinatown, was completed at Nice Shoes in preparation for its world premiere at the 17th Annual Disorient Asian American Film Festival in Oregon. Colorist Phil Choe worked with Chen, cinematographer Jason Chew and editor Xiaoya (Patricia) Ma in polishing the look of the film.
Arri will support the Canadian Society of Cinematographers’ The Future is Calling campaign with a contribution of $300,000 in Canadian currency. The $3.75 million campaign, launched in November, will support a national outreach, education, internship, and online educational program to break down barriers marginalized communities face in accessing jobs in the film and television industry. The campaign has received support from the industry, government, and philanthropic funders. More than half the goal has been pledged to date.
Greig Fraser, ASC, ACS won the feature film award for Dune: Part One at the 36th American Society of Cinematographers Outstanding Achievement Awards. The event also celebrated Pat Scola for Pig in the Spotlight Award category, and Jessica Beshir for the documentary Faya Dayi.
For the small budget adventure-thriller Nine Bullets, cinematographer Byron Werner wanted to be true to the intimate nature of the film, while elevating the look to that of a bigger budget project. Dealing with COVID restrictions added to the challenge.
Bringing a harrowing real-life story to the screen demands the lightest possible touch of Hollywood’s usual hyperreality. Hulu's Dopesick, based on Beth Macy’s book, tackles the background to America’s opioid addiction crisis, and must walk that fine line between informing and entertaining its audience. Cinematographer Checco Varese, ASC, used Zeiss Supreme Prime, Cinema Zoom and Supreme Prime Radiance lenses with the large-format Sony Venice in its 6K large format mode to bring a careful balance of style and substance to all eight episodes.
The original King of Boys feature film, written and directed by Kemi Adetiba, follows the story of Alhaja Eniola Salami, a businesswoman and philanthropist with a chequered past and a promising political future. As her political ambitions see her outgrowing the underworld connections responsible for her considerable wealth, she's drawn into a power struggle that threatens everything she holds dear. Details about the sequel are shrouded in secrecy but will provide a long-awaited continuation of the gripping story. The sequel’s cinematographer is Kagho Odhebor.
The Society of Camera Operators has announced that the recipients of Camera Operator of the Year in Film are Mitch Dubin, SOC, and B Camera John “Buzz” Moyer, SOC (West Side Story). The recipients of Camera Operator of the Year in Television are Manolo Rojas, SOC, and B Camera Pauline Edwards, SOC (Snowfall, Season 4, Episode 8, Betrayal). The award recipients were celebrated by industry peers and colleagues during a virtual awards ceremony on Saturday, March 5.
Netflix’s Sweet Magnolias is a dramatic romance tale set in the South about three lifelong friends navigating their personal and professional priorities and relationships alongside one another. Sweet Magnolias cinematographer Brian Johnson is a Gemini Award nominee, a two-time Golden Sheaf award winner and recipient of two Leos, whose resume includes The Killing, and You Me Her, to name a few. He was joined on the series by Tyler Blackwell, digital imaging technician, whose credits include One Night in Miami…, Ant-Man and the Wasp, and Women of the Movement, among others. Johnson shot with a Sony Venice full-frame digital cinema cameras. Blackwell follows the production on a combination of Sony PVM-X2400 and BVM-HX310 4K high dynamic range monitors.