The Netflix series GLOW, which launched its 10-episode third season in August 2019, brings the Gorgeous Ladies of Wrestling to Las Vegas and the fictitious Fan-Tan Hotel and Casino. The production captures the personal and professional lives of a group of women who perform for a wrestling organization that started in Los Angeles but now find themselves in glitzy Las Vegas during the 1980s. Cinematographer Chris Teague met with show creators, executive producers and episode writers Liz Flahive and Carly Mensch to pitch his ideas for the new look of GLOW for its new Las Vegas setting, which is where they realized that everyone was on the same page.
Star Trek: Picard, the highly anticipated streaming series from CBS All Access, relied on two complete sets of Cooke Optics Anamorphic/I Special Flair lenses to tell the story. The follow-up series to Star Trek: The Next Generation, and centers on Captain Jean-Luc Picard (Sir Patrick Stewart) in the next chapter of his life. Director of photography Philip Lanyon’s goal was to give this new series a big movie adventure epic saga feel — while keeping fans in a familiar visual world.
The American Society of Cinematographers presented their 34th annual Outstanding Achievement Awards Saturday night at the Dolby Theatre in Hollywood. The Theatrical Award for best cinematography in a motion picture went to Roger Deakins, ASC, BSC for 1917. Jarin Blaschke took the Spotlight Award for The Lighthouse, and Fejmi Daut and Samir Ljuma won the inaugural Documentary Award for Honeyland.
Radiant Images, a subsidiary of Hawkeye Systems, has introduced Meridian, an innovative light field capture system that aims to push the next evolution of immersive content creation and filmmaking. The company says the Meridian represents the Holy Grail for content: photographic 6DoF or six degrees of freedom.
The Society of Camera Operators has named Geoff Haley Camera Operator of the Year in Film for his work on The Joker. Jim McConkey, SOC was awarded Camera Operator of the Year in Television for his work on The Marvelous Mrs. Maisel.
The American Society of Cinematographers has named Terry McCarthy as CEO of the organization. In this newly created role, McCarthy is responsible for all business matters relating to the Society, including events, educational efforts, and publishing.
Cinematographer Peter Chang has completed his latest film, Cuba, which won the Best Documentary award at the 34th Annual Fort Lauderdale International Film Festival and has begun releasing to museums, educational institutions and other giant screen and IMAX venues. In a break from giant screen tradition, his film features close-ups. To accomplish that, he turned to Cooke lenses.
The American Society of Cinematographers has nominated eight feature films in the theatrical and spotlight categories of the 34th ASC Outstanding Achievement Awards. Leading the list of nominees is Roger Deakins for 1917. This is his 16th nomination; he has won four times for The Shawshank Redemption, The Man Who Wasn’t There, Skyfall, and Blade Runner 2049.
As Hawthorne College winds down for the Christmas holidays, a black-masked stalker begins killing sorority sisters one by one. Produced by Jason Blum (Halloween, Get Out) for Blumhouse Productions, Black Christmas is a re-imagining of the 1974 cult classic for the 21st century audience. The horror film was directed and co-written by Sophia Takal (Always Shine). Although Takal was a fan of the original film, she wanted to bring attention to contemporary women’s rights issues, in particular the Me-Too movement
The Society of Camera Operators will give cinematographer Steven Poster, ASC, the society’s 2019 Distinguished Service Award. The award will be presented January 18 at the Loews Hollywood Hotel.