Cinematographer Adam Kimmel ASC used Cooke Optic’s new Anamorphic/i SF lenses to shoot Mark Felt: The Man Who Brought Down The White House, which tells the story of the whistle-blower FBI agent who worked with journalists Bob Woodward and Carl Bernstein to uncover the Watergate scandal.
In recognition of their special contributions to the art of cinematography, the American Society of Cinematographers has named four honorees to be feted at the 32nd ASC Awards for Outstanding Achievement. Russell Carpenter will receive the Lifetime Achievement Award; Russell Boyd will earn the International Award; Alan Caso will get the Career Achievement in Television Award; and Stephen Lighthill will take home the Presidents Award. The presentations will be made at the annual ASC awards gala on February 17, 2018, at the Ray Dolby Ballroom in Hollywood.
The American Society of Cinematographers has chosen 13 nominees for its 2017 Student Heritage Awards recognizing graduate, undergraduate and documentary student works. This year’s nominees are students from 10 different U.S. film schools. Winners will be announced on October 14.
Writer/director Paul Shoulberg’s vision for his feature The Good Catholic was to have it not look like a typical romantic comedy, but to take on a more naturalistic look and feel. To help achieve that vision, cinematographer Justin Montgomery, who worked with Shoulberg on a previous short project, selected Cooke’s S4/i prime lenses to take advantage of their warmth and bokeh, giving images a creamy quality with sharpness.
The American Society of Cinematographers Photo Gallery will re-open with a public debut on September 9 at the historic ASC clubhouse in Hollywood. The exhibit will feature an entirely new collection of still photographs by nine members of the organization, curated by Paris Chong, manager of Leica Gallery LA.
Regardless of budget, every director and cinematographer wants their film to look its best. That was no different with Blood Runs Thick, a low budget, indie horror feature from director Romane Simon and shot by Los Angeles-based Nik Shaw.
The Workshop’s True North is an inspiring documentary about Sean Swarner, who in 2002 became the first cancer survivor to reach the top of Mount Everest. He’s kept climbing ever since spreading his encouraging message of hope. In a span of five years, the two-time cancer survivor with only one functioning lung scaled the Seven Summits, the highest mountains in each of the seven continents.
MTV’s new reality series, Siesta Key, takes the tried and tested concept of earlier efforts like Laguna Beach: The Real Orange County and moves it to Florida, following a new group of young adults confronting issues of love, heartbreak, betrayal, class, and looming adulthood as they spend the summer together in their beautiful hometown. Siesta Key is set on a small barrier island off the coast of Sarasota. Cinematographer Gareth Paul Cox shot the series with VariCam 35 and LT cinema cameras.
The American Society of Cinematographers has opened its call for entries in the television categories for the 32nd Annual ASC Awards for Outstanding Achievement in Cinematography, which will be held February 17, 2018, at the Ray Dolby Ballroom in Hollywood.
Anne with an E, a Netflix series, is a filmed adaptation of the classic coming-of-age 1908 novel, Anne of Green Gables, by Canadian author Lucy Maud Montgomery. The series was shot by cinematographer Bobby Shore, CSC with Panasonic VariCam 35 cinema cameras. As a teenager growing up in Canada, Shore was a huge fan of director Darren Aronofsky (Black Swan, Requiem for a Dream) and his cinematographer, Matthew Libatique, ASC. While studying film at Concordia University in Montreal, he worked as an extra on the set of Abandon (2002), a feature film shot by Libatique. “When I would read about movies he [Libatique] was working on, it always seemed like his work came from an emotionally driven place,” reveals Shore. “It was easy for me to latch on to his ideas.”