Codex has integrated Codex Live, the color management and look-creation system enabling set-to-post color confidence, with OffHollywood’s OMOD for Red Digital Cinema cameras. This technology collaboration delivers a fast and robust set-to-post solution for Red camera workflows, and also enables live high dynamic range on-set grading for the first time.
The Society of Motion Picture and Television Engineers today announced that Ymagis Group, the European specialist in digital technologies for the cinema industry, has used the next generation of SMPTE's Digital PROjection VErifier (DPROVE2) to simplify and accelerate adoption of the SMPTE Digital Cinema Package (SMPTE-DCP).
WCPMedia Services has partnered with Aspera to embed Aspera FASP high-speed file transfer technology into the WCP platform to ingest and deliver large rich-media assets quickly and securely.
Two acclaimed documentary film production companies are teaming up to chronicle an unlikely contender in the battle to halt climate change: soil. A co-production of The Big Picture Ranch (Fuel, The Big Fix, Pump) and Benenson Productions (Dirt! The Movie, The Hadza: Last of the First), Kiss the Ground will be produced by Josh Tickell, Rebecca Harrell Tickell and Bill Benenson. Josh and Rebecca Tickell are directing. Laurie Benenson, Anna Getty and Michelle Lerach are executive producing.
CW Sonderoptic, sister company to Leica Camera, has introduced two new lenses in the Leica Summicron-C cine lens family, the highly anticipated 40mm T2.0 and the previously unannounced 15mm T2.0. These lenses bring the growing Leica Summicron-C family of primes to 11 focal lengths, all T2.0.
Rohde & Schwarz has upgraded the Clipster Gen 6 mastering station, with new functionalities to boost DCI and Interoperable Master Format mastering. Moreover, with its added improvements in flexibility, quality and performance, the Clipster will help service providers expand their portfolio. Since its introduction in 2003, the award-winning Clipster has established itself as the complete mastering and deliverable solution for premium content.
Director James Gunn is using Red’s 8K Weapon camera on Marvel’s latest cosmic adventures in Guardians of The Galaxy Vol. 2. Behind-the-scenes, Codex workflow systems, operated by Santa Monica, London and Atlanta based production services company Shed, are enabling the smooth and speedy transition of a river of 8K data from on-set into post production. The cinematographer on Guardians of the Galaxy Vol. 2 is Henry Braham BSC, who previously used Red Epic cameras on The Legend of Tarzan. He is one of the first DPs to deploy the new Red Weapon camera, fitted with the 8K Red Dragon sensor, on a long-form show, describing it as “the little big camera. Perfectly counterintuitive. And perfect for this production.”
Secure video sharing platform MediaSilo has released SafeStream, an on-demand watermarking system that embeds user-identifiable information as a visual watermark into video files in real-time. Amidst explosive original content growth in the media and entertainment industry, there’s an increasing need for creators to protect content in all stages of the production process, from pre-release to distribution. To prevent leaks, content creators have been forced to choose between locking down content or facing potential revenue loss from unauthorized distribution. SafeStream redefines that tradeoff.
The Society of Motion Picture and Television Engineers revealed further details today about the Entertainment Technology in the Connected Age conference keynote addresses by Roy Taylor, corporate vice president of Advanced Micro Devices and Ron Sanders, president of Warner Bros. Worldwide Home Entertainment Distribution. Scheduled for June 27-28 at the Heritage Theatre in Campbell, California, and subtitled The Race Is On, ETCA 2016 will explore the impact of emerging technologies on the delivery of a compelling connected entertainment experience.
Academy Award- and Emmy-nominated animation, VFX and design company Blur Studio has hired Dan Akers as visual effects supervisor. With nearly 15 years of experience in the VFX industry, Akers’ recent photo-realistic work for online shooter Destiny and Kia Motors was recognized with 2015 VES Award nominations, with his efforts for Destiny also taking home Best Visual Effects honors at AICP 2015.
