Production & Post-Production

iPi Soft Used to Create Stalingrad Crowds

Fri, 04/25/2014 - 11:50 -- Nick Dager

The Battle of Stalingrad, among the bloodiest and arguably one of the most strategically decisive battles in all of World War II, is vividly brought to life in Stalingrad. The recently released Russian-produced epic film effectively used iPi Soft iPi Motion Capture on numerous crowd simulation sequences created by the Moscow-based visual effects studio Main RoadIPost.

Roland Showcases the DTS Headphone:X at NAB 2014

Mon, 04/21/2014 - 14:03 -- Nick Dager

Roland Systems Group in cooperation with DTS and Holophone microphones demonstrated 3D recording and monitoring for sound designers and location recordists earlier this month at the National Association of Broadcasters show in Las Vegas. A challenge for sound designers in the field is monitoring the surround audio being captured. Through headphones they are able to monitor each channel of a surround image as well as a summed stereo image but not the resultant 3D image. Up until now, to truly hear what was captured in context, they had to wait until they were back in the studio playing the channels through a multi-speaker surround configuration. Now with the advent of DTS Headphone:X, sound designers can turn a pair of headphones into an impressive personal surround system.

SGO releases Mistika v8 at NAB 2014

Mon, 04/21/2014 - 13:59 -- Nick Dager

SGO released Mistika v8 earlier this month at the National Association of Broadcasters show in Las Vegas. Mistika v8 features an advanced and complete color grading toolset. Each one of an infinite number of color correction layers contains every grading tool within the system including: primaries, fixed vectors, custom curves, and Mistika’s own enhanced five ball primary system – bands.

Codex Introduces Action Cam at NAB 2014

Mon, 04/21/2014 - 13:56 -- Nick Dager

Codex introduced the Action Cam earlier this month at the National Association of Broadcasters show in Las Vegas. The camera delivers high-definition shooting, capture, transcoding and data management for situations that require a compact form factor and low weight. It comprises a tiny camera head and a Codex Camera Control Recorder that delivers full remote control of the camera, plus the proven workflow of Codex.

Canon Debuts the DP-V3010 4K Reference Display at NAB 2014

Mon, 04/21/2014 - 13:49 -- Nick Dager

The Canon DP-V3010 4K Reference Display

As motion picture, television and commercial production continue to transition to ever-higher resolution digital video and computer graphic imaging formats, color-grading and post-production professionals increasingly rely on reference displays with exceptional detail, color and gradation accuracy. The DP-V3010 4K reference display was developed in response to this.

Blackmagic Design Introduces Ursa at NAB 2014

Mon, 04/21/2014 - 13:45 -- Nick Dager

At the National Association of Broadcasters show earlier this month in Las Vegas Blackmagic Design introduced Blackmagic Ursa, a high-end digital film camera the company says is “designed to revolutionize workflow on set.” Built to handle the ergonomics of large film crews as well as single person use, Ursa has multiple accessories built in, including a massive 10 inch fold out on set monitor, large user upgradable Super 35 global shutter 4K image sensor and internal dual Raw and Apple ProRes recorders.

Autodesk Unveils Smoke 2015 with New Pricing at NAB 2014

Mon, 04/21/2014 - 13:42 -- Nick Dager

Autodesk unveiled the latest version of Smoke 2015 earlier this month at the National Association of Broadcasters convention in Las Vegas. In addition to significant new creative tools andperformance enhancements, Smoke 2015 will soon be available as a Desktop Subscription, so customers can access the software on a pay-as-you-go basis for the first time.

Assimilate Shows Scratch with ProRes for Windows at NAB 2014

Mon, 04/21/2014 - 13:38 -- Nick Dager

At the National Association of Broadcasters convention held earlier this month in Las Vegas, Assimilate announced v8 versions of its popular Scratch and Scratch Lab software, allowing users to encode Apple ProRes files on Microsoft Windows 7/8-based PCs. Scratch and Scratch Lab customers can now use both the OS X and Windows versions of the software. Artists either on-set, or in post-production are guaranteed the highest possible quality and encoding speeds on each platform. In addition, Scratch 4K is now available at Scratch 2K prices.

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