At the Emerging Cinema Markets Conference, which was held in Istanbul November 19-21, RealD released statistics that show 3D in exhibition is increasingly popular in countries where movie theatres are beginning to gain a foothold.
I’ve been thinking for some time now about how to issue a new press release regarding the same old boring story about the never-ending lawsuits taking place between RealD and Volfoni, being totally clear and transparent so that everyone understands my words and the situation without making it too technical or using patent jargon that no one is going to understand. I consider at this stage it is important the communication is clear and straight.
A district court in Düsseldorf, Germany ruled in favor of stereoscopic 3D company RealD, finding infringement of three of its patents by Volfoni SmartCrystal Diamond triple-beam systems. RealD made the announcement today.
Three-time Academy Award-winning filmmaker Ang Lee’s much anticipated new film, Paramount Pictures’ Gemini Man, premieres October 6 at the TCL Chinese Theatre in Los Angeles. As has been the case with Lee’s most recent work, the film stretches technological boundaries by being produced in 4K resolution, stereoscopic 3D, and shot at 120 frames per second. The premiere will use Cinity, the new HFR cinema projection system developed by Christie for Huaxia Film Distribution. Christie’s strategic partnership with Huaxia Film Distribution and GDC Technology Limited resulted in the development of the Cinity Cinema System based on two Christie CP4450-RGB HFR projectors.
Huaxia Film Distribution recently held a grand launch in Beijing to formally introduce the Cinity Cinema System, which was unveiled earlier this year in Las Vegas at CinemaCon. A trailer of Gemini Man, the new film by Oscar award winning director Ang Lee was shown. Lee used the Cinity Cinema System to produce his latest film, Gemini Man in 4K stereoscopic 3D at 120 frames per second. He screened a trailer of the new film and made a video address to the audience gathered for the event.
The Cinema Technology Community has published a report about the causes of 3D crosstalk. According to the not-for-profit independent cinema technology organization, while no single piece of equipment (port glass, projector, 3D system, 3D screen and eye wear) is necessarily responsible for the introduction of 3D ghosting, any and all elements in the light path can have a contributing effect inside of a closed ecosystem.
For the fourth consecutive year, Volfoni will be the official 3D technical partner for all 3D screenings at the 72nd Cannes Film Festival, which takes place May 14-25 in the Palais des Festivals et Congresses, in La Croisette, France.
GDC Technology has introduced the SR-5400 and the SR-6400 series media servers with Flexible Architecture Stable Technology (FAST) for 4K high frame rate movies and 4K 3D. The SR-5400 is compatible with new DLP Cinema projectors that are capable of playing DCP content in 4K 3D and 4K@60fps. The SR-6400C has all the key features and benefits of the SR-5400 and further enhances its capabilities to include ground breaking 4K@120fps playback. It is compatible with the new Christie projector featuring RealLaser illumination and CineLife+.
Cinépolis, the largest cinema exhibitor in Latin America and fourth largest cinema exhibitor in the world, has selected Volfoni as its new 3D provider for their new cinema complexes in Bahrain, Oman, and Argentina.
Kinepolis and RealD have signed a seven-year contract ensuring that the exhibitor will use RealD 3D equipment and 3D glasses in France, Belgium, The Netherlands, Switzerland, Spain and Luxembourg. The contract includes Landmark in Canada.